Mic Archive

Instrument

Guiro

Sources
5 (4 independent)

Recommended mics

Mics sources recommend

5 setups from 5 sources, 4 of them independent of any mic maker. Each mic shows how many sources name it for that role, and how many of those are independent. Listed alphabetically: there is no ranking.

Studio

Close

  • Shure SM811 independent source
  • large-diaphragm condenser2 independent sources

Distant

  • microphone (type not named)1 independent source
The 4 setups behind this: placement and quotes
  • Close 2 × large-diaphragm condenser
    pair, one or two LDCs on percussion (shakers, guiro); when two, the mics about 2-3 ft apart, panned hard left/right
    I use one or two LDC's for percussion ... The mic's are usually 2-3 feet apart because that's a comfortable distance for me to play1
  • Close Shure SM81
    close (distance not given), with the 10 dB pad engaged
    I once used a Shure SM81 on a guiro and gourds with surprisingly good results. (Engage the 10 dB pad!)2
  • Distant microphone (type not named)
    distant, 3-6 ft from the mic (scraped instruments)
    If it jingles, rattles or scrapes, give yourself a good 3 to 6 feet from the mic for clarity and believability.3
  • Close large-diaphragm condenser
    distant, hand-held percussion played about three metres from the mic (photo caption; hand-held percussion in general, the article lists guiro/reco-reco among the instruments)
    Hand-held percussion played about three metres away from a nice large-diaphragm condenser.4

On stage

Close

  • Audix M1280B maker's advice1 source, 0 independent
The 1 setup behind this: placement and quotes
  • Close 2 × Audix M1280B
    pair, a pair of pencil mics covering all the hand percussion toys (bells, cowbells, shakers, guiro); placement not given
    I use a pair of those to capture all the percussion toys: bells, cowbells, shakers, guiro.5

Frequency bands

scrape400 Hz – 8 kHzeach ridge gives a click; the ridge rate sets a buzzy pitch; loudest 0.6-4 kHz
air8 kHz – 16 kHz

Own analysis: 1/3-octave band levels of the first second after the hit (dB re loudest band), plus a 12 ms attack window and spectral peak picking. A band is listed where the level stays within about 10-15 dB of the loudest band (weaker bands are given with their level). "tone" = clear spectral peaks; "noise" = dense or broadband energy. Measured from: VSCO 2 CE Guiro-M_v1; Virtuosity Drums Guiro_Med_rr1.

Sounds it makes

Long strokerasping scrape
Short strokequick zip

The sound

A ridged gourd scraped with a stick: a rapid train of clicks, broadband noise with a buzzy pitch that follows the scraping speed.

Recording it

Sources

  1. homerecording.com forum: Recording hand percussion (markmann, Feb 2023)forum · homerecording.com
  2. Recording Magazine: The Doom of the Dumbek (Paul Stamler)magazine · recordingmag.com
  3. Recording Magazine: Drumming and Drummers and Mics - Oh My! (Paul Vnuk Jr. with David Blascoe)magazine · recordingmag.com
  4. Daley, D. (2006) Recording Latin Percussion, Sound On Soundmagazine · soundonsound.com
  5. Mix: Capturing the Careening Beat of Ozomatli (FOH Reiley Brinser, Mar 2024; Audix-based press item)manufacturer · mixonline.com