Microphones
Specs, frequency response, polar pattern and the manufacturer's documents for 419 microphones. Compare them in Mic Archive.
Most recommended
The mics the most sources recommend, for any instrument; alphabetically. Recommendations per instrument.
AKG C451 BSmall-diaphragm cardioid condenser (the CK1 capsule, fixed), for overheads, hi-hat, acoustic guitar and pianosensitivity −41 dBV/Pa, self-noise 18 dB(A), max SPL 135 dBRecommended for 16 instruments
AKG D112Large dynamic cardioid for kick drum and bass cabinets (the original egg-shaped D112, successor to the D 12)sensitivity −54.9 dBV/PaRecommended for 9 instruments
Audio-Technica AT4050Large-diaphragm condenser, multi-pattern (cardioid, omni, figure-8), transformerlesssensitivity −36 dBV/Pa, self-noise 17 dB(A), max SPL 149 dBRecommended for 9 instruments
DPA 4006AOmni small-diaphragm pencil condenser (16 mm pressure capsule MMC4006 on the MMP-A preamp), with swappable grids and a -20 dB padsensitivity −28.9 dBV/Pa, self-noise 15 dB(A), max SPL 133 dBRecommended for 19 instruments- DPA 4011ASmall-diaphragm condenser, cardioid (19 mm pencil); the upgraded classic 4011sensitivity −40 dBV/Pa, self-noise 18 dB(A), max SPL 139 dBRecommended for 25 instruments
- DPA 4060Omni miniature condenser (lavalier), with swappable soft-boost and high-boost gridssensitivity −34 dBV/Pa, self-noise 23 dB(A), max SPL 134 dBRecommended for 9 instruments
DPA 4099Supercardioid clip-on condenser on a gooseneck, for instrumentssensitivity −44 dBV/Pa, self-noise 23 dB(A), max SPL 128 dBRecommended for 26 instruments
Electro-Voice RE20Large dynamic cardioid (Variable-D) for broadcast and voice-over, also kick drum and acoustic guitarsensitivity −56.5 dBV/PaRecommended for 13 instruments
Neumann KM 1842 variantsRecommended for 28 instrumentsNeumann KM 184 · Neumann KM 184 D- Neumann KM 842 variantsRecommended for 17 instrumentsNeumann KM 84 · Neumann KM 85
Neumann TLM 103Large-diaphragm condenser, cardioid, transformerless; very low self-noisesensitivity −32.5 dBV/Pa, self-noise 7 dB(A), max SPL 138 dBRecommended for 8 instruments
Neumann U 47Large-diaphragm tube condenser, cardioid or omni (switch on the body), VF 14 tube; made 1949 to 1965, discontinuedsensitivity −32 dBV/Pa, max SPL 110 dBRecommended for 9 instruments
Neumann U 87 (U 87 i)Large-diaphragm condenser (FET, transformer output) with three patterns (omni, cardioid, figure-8); the original U 87 and the U 87 i, before the U 87 Aisensitivity −41.9 dBV/Pa, self-noise 18 dB(A), max SPL 122 dBRecommended for 30 instruments
Oktava MK-012Small-diaphragm condenser with interchangeable capsules (cardioid, hypercardioid, omni)sensitivity −40 dBV/Pa, self-noise 18 dB(A), max SPL 140 dBRecommended for 17 instruments
Royer R-1212 variantsRecommended for 24 instrumentsRoyer R-121 · Royer R-122
Royer SF-12Stereo coincident ribbon mic: two figure-8 ribbons at 90° (Blumlein, M-S) in one bodysensitivity −50 dBV/Pa, max SPL 130 dBRecommended for 10 instruments
RØDE NT5Small-diaphragm condenser (1/2 inch), cardioid; sold singly or as a matched pairsensitivity −38 dBV/Pa, self-noise 16 dB(A), max SPL 143 dBRecommended for 8 instruments
Schoeps MK 4Small-diaphragm cardioid condenser capsule (Colette series), on a CMC 6 amplifiersensitivity −37.7 dBV/Pa, self-noise 15 dB(A), max SPL 132 dBRecommended for 12 instruments- Sennheiser MD 421Dynamic, cardioid, five-step bass control (the original MD 421: N, -2, U-4 and U-5 versions)sensitivity −54 dBV/PaRecommended for 24 instruments
Shure Beta 52ADynamic (moving coil), supercardioid, kick-drum mic with built-in locking stand adaptersensitivity −64 dBV/Pa, max SPL 174 dBRecommended for 6 instruments
Shure SM57Cardioid dynamic for instruments (snare, guitar cabinets) and vocalssensitivity −56 dBV/PaRecommended for 38 instruments
Shure SM58Cardioid dynamic vocal mic with a ball grille and built-in pop filtersensitivity −54.5 dBV/PaRecommended for 13 instruments
Shure SM7B2 variantsRecommended for 12 instrumentsShure SM7B · Shure SM7dB- Shure SM81Small-diaphragm cardioid condenser for acoustic instruments, piano and drum overheadssensitivity −45 dBV/Pa, self-noise 16 dB(A), max SPL 136 dBRecommended for 34 instruments
AEA 7
AEA KU4Passive ribbon, supercardioid (unidirectional), after the RCA KU-3Asensitivity −52 dBV/Pa, max SPL 140 dBRecommended for 2 instruments
AEA N22Ribbon, figure-8, side-address, active (phantom-powered JFET electronics and transformer), near-fieldsensitivity −44.1 dBV/Pa, max SPL 141 dB
AEA N8Ribbon, figure-8 (large ribbon, active, phantom-powered), far-field; NUVO seriessensitivity −41.7 dBV/Pa, max SPL 141 dB
AEA R44Passive ribbon, figure-8; a replica of the RCA 44-B/BX (R44C, R44CE, high-output R44CX/CXE)sensitivity −53 dBV/Pa, max SPL 165 dBRecommended for Trumpet
AEA R84Ribbon, figure-8 (large ribbon, passive)sensitivity −52 dBV/Pa, max SPL 165 dBRecommended for 4 instruments
AEA R88Passive stereo ribbon: two matched figure-8 Big Ribbons in a fixed Blumlein pair (current version R88mk2)sensitivity −52 dBV/Pa, max SPL 165 dBRecommended for Harp
AEA R92Ribbon, figure-8 (large ribbon, passive), for close and medium distances; crisper front lobe than rearsensitivity −55 dBV/Pa, max SPL 165 dB
AKG 24
AKG C 1000 SEnd-address small-diaphragm electret condenser, cardioid or hypercardioid (with the PPC 1000 converter), powered by phantom or an internal 9 V batterysensitivity −44 dBV/Pa, self-noise 21 dB(A), max SPL 137 dBRecommended for 2 instruments
AKG C 12Tube (valve) condenser, large dual-diaphragm (CK 12), multi-pattern studio mic with nine patterns switched remotelysensitivity −40 dBV/PaRecommended for 4 instruments
AKG C 12 VRTube (6072) condenser, large dual-diaphragm (CK 12), multi-pattern studio mic with nine patterns switched remotely from its N 12 VR power unit: the 1990s reissue of the C 12sensitivity −40 dBV/Pa, self-noise 22 dB(A), max SPL 128 dB
AKG C 391 BSmall-diaphragm condenser, cardioid: the SE 300 B powering/output module with the screw-on CK 91 capsule (Blue Line modular system)sensitivity −40 dBV/Pa, self-noise 17 dB(A), max SPL 132 dB
AKG C 451 ESmall-diaphragm condenser (FET), cardioid: the C-451E 12 V preamplifier with the screw-on CK-1 capsule, from the modular C-450 systemsensitivity −39.2 dBV/PaRecommended for Celesta
AKG C 480 B ULSSmall-diaphragm condenser, modular: the C 480 B preamplifier with screw-on ULS capsules, CK 61 (cardioid), CK 62 (omni) or CK 63 (hypercardioid)sensitivity −34 dBV/Pa, self-noise 11 dB(A), max SPL 140 dBRecommended for 2 instruments
AKG C 535 EBHandheld cardioid condenser (prepolarised) for vocals and instruments, with a recessed four-position pad and bass filter switchsensitivity −43 dBV/Pa, self-noise 21 dB(A), max SPL 130 dBRecommended for 3 instruments
AKG C214Large-diaphragm cardioid condenser: one capsule of the C414 dual-capsule system, with 20 dB pad and 160 Hz bass cutsensitivity −34 dBV/Pa, self-noise 13 dB(A), max SPL 136 dBRecommended for 3 instruments
AKG C3000Large-diaphragm (1-inch) condenser, cardioid, side-address studio and stage mic with 10 dB pad and bass cut (the redesigned C3000 of about 2012)sensitivity −34 dBV/Pa, self-noise 14 dB(A), max SPL 140 dBRecommended for Kalimba and mbira
AKG C414 B-ULSLarge dual-diaphragm condenser, four patterns (omni, cardioid, hypercardioid, figure-8), with two bass cuts and two padssensitivity −38 dBV/Pa, self-noise 14 dB(A), max SPL 140 dBRecommended for 3 instruments
AKG C414 XLS2 variantsRecommended for 6 instrumentsAKG C414 XLII · AKG C414 XLS- AKG C451 BSmall-diaphragm cardioid condenser (the CK1 capsule, fixed), for overheads, hi-hat, acoustic guitar and pianosensitivity −41 dBV/Pa, self-noise 18 dB(A), max SPL 135 dBRecommended for 16 instruments
AKG C519 MMiniature cardioid condenser clip-on for wind instruments, on a 125 mm gooseneck with a rubberised clamp; phantom adapter with bass roll-offsensitivity −46 dBV/Pa, self-noise 31 dB(A), max SPL 130 dBRecommended for Didgeridoo
AKG C636Handheld cardioid electret condenser vocal mic with double shock suspension and multilayer pop protectionsensitivity −45 dBV/Pa, self-noise 20 dB(A), max SPL 150 dB
AKG D 12Dynamic (moving coil), cardioid, large-diaphragm side-address mic with a bass chamber; later the classic kick-drum mic (D 12 E)sensitivity −60.9 dBV/Pa, max SPL 128 dBRecommended for 3 instruments
AKG D 20 BDynamic, cardioid, studio and broadcast mic from the D 12 line, with a three-position bass attenuation switch and built-in steel suspension; discontinuedsensitivity −55.9 dBV/Pa, max SPL 128 dBRecommended for Kick drum- AKG D112Large dynamic cardioid for kick drum and bass cabinets (the original egg-shaped D112, successor to the D 12)sensitivity −54.9 dBV/PaRecommended for 9 instruments
AKG D40Dynamic, cardioid, compact instrument mic with built-in swivel stand adapter and a drum-rim bracketsensitivity −52 dBV/Pa, self-noise 18 dB(A), max SPL 147 dBRecommended for Didgeridoo
AKG D5Dynamic, supercardioid, handheld vocal mic with Varimotion diaphragm (D5 S: the same with an on/off switch)sensitivity −52 dBV/Pa, self-noise 18 dB(A), max SPL 147 dBRecommended for A cappella group
AKG D7Dynamic supercardioid handheld vocal mic (Varimotion diaphragm), with hum-bucking coil and a fixed 80 Hz high-pass filtersensitivity −52 dBV/Pa, self-noise 18 dB(A), max SPL 147 dB
AKG P170End-address small-diaphragm (1/2-inch) cardioid true condenser instrument mic, with -20 dB padsensitivity −36.5 dBV/Pa, self-noise 19 dB(A), max SPL 135 dB
AKG P220Side-address large-diaphragm (1-inch) cardioid true condenser mic, with bass cut and -20 dB padsensitivity −34 dBV/Pa, self-noise 16 dB(A), max SPL 135 dB
AKG P420Side-address large-diaphragm (1-inch) dual-diaphragm multi-pattern true condenser mic (cardioid, omni, figure-8), with bass cut and -20 dB padsensitivity −31 dBV/Pa, self-noise 15 dB(A), max SPL 135 dB
Aston 3
- Aston OriginLarge-diaphragm condenser, cardioid, transformerless; side-addresssensitivity −32.8 dBV/Pa, self-noise 18 dB(A), max SPL 127 dBRecommended for Acoustic guitar
- Aston SpiritLarge-diaphragm condenser (1 inch, dual diaphragm), omni, cardioid and figure-8, transformer-balanced output, two pads and low cutsensitivity −32.5 dBV/Pa, self-noise 14 dB(A), max SPL 138 dB
- Aston StarlightSmall-diaphragm condenser, cardioid, end-address, with a laser sight and three voicingssensitivity −27.5 dBV/Pa, self-noise 15 dB(A), max SPL 130 dBRecommended for 2 instruments
Audio-Technica 32
Audio-Technica AE2500Dual-element kick-drum mic: a cardioid condenser and a cardioid dynamic capsule in one housing, each on its own outputsensitivity −51 dBV/Pa, self-noise 24 dB(A), max SPL 148 dBRecommended for Kick drum
Audio-Technica AE4100Dynamic, cardioid, handheld vocal mic for live sound (Artist Elite series)sensitivity −55 dBV/PaRecommended for Mixed choir (SATB)
Audio-Technica AE5100Large-diaphragm condenser (fixed-charge back plate) in a slim end-address body, cardioid, for instruments, with 80 Hz high-pass and 10 dB pad switchessensitivity −36 dBV/Pa, self-noise 11 dB(A), max SPL 148 dBRecommended for Snare drum
Audio-Technica AT2010Handheld condenser (fixed-charge back plate), cardioid, vocal mic for stage and studiosensitivity −48 dBV/Pa, self-noise 23 dB(A), max SPL 136 dB
Audio-Technica AT2020Side-address cardioid condenser (electret, 16 mm diaphragm)sensitivity −37 dBV/Pa, self-noise 20 dB(A), max SPL 144 dBRecommended for 4 instruments
Audio-Technica AT2021Small-diaphragm cardioid condenser (electret), end-addresssensitivity −39 dBV/Pa, self-noise 19 dB(A), max SPL 145 dBRecommended for Mixed choir (SATB)
Audio-Technica AT2031Small-diaphragm condenser (fixed-charge back plate), cardioid, end-address, for stringed instruments, with a 150 Hz high-pass switchsensitivity −34 dBV/Pa, self-noise 17 dB(A), max SPL 141 dB
Audio-Technica AT2035Side-address large-diaphragm cardioid condenser (fixed-charge back plate), with 80 Hz high-pass filter and 10 dB padsensitivity −33 dBV/Pa, self-noise 12 dB(A), max SPL 148 dBRecommended for 2 instruments- Audio-Technica AT2040Dynamic, hypercardioid, end-address podcast and broadcast micsensitivity −53 dBV/Pa
Audio-Technica AT2050Large-diaphragm condenser, multi-pattern (cardioid, omni, figure-8), with 10 dB pad and 80 Hz roll-offsensitivity −42 dBV/Pa, self-noise 17 dB(A), max SPL 149 dB
Audio-Technica AT4021Small-diaphragm cardioid condenser (fixed-charge back plate) with 80 Hz high-pass and 10 dB padsensitivity −34 dBV/Pa, self-noise 14 dB(A), max SPL 146 dBRecommended for 2 instruments
Audio-Technica AT4022Small-diaphragm condenser (fixed-charge back plate), omnidirectional, end-address, with 80 Hz high-pass and 10 dB pad switchessensitivity −34 dBV/Pa, self-noise 13 dB(A), max SPL 146 dB
Audio-Technica AT4033/CLLarge-diaphragm cardioid condenser (fixed-charge back plate), transformerless, with 80 Hz high-pass and 10 dB padsensitivity −32 dBV/Pa, self-noise 17 dB(A), max SPL 145 dBRecommended for 3 instruments
Audio-Technica AT4040Large-diaphragm cardioid condenser, transformerless, with 80 Hz high-pass and 10 dB padsensitivity −32 dBV/Pa, self-noise 12 dB(A), max SPL 145 dBRecommended for 2 instruments
Audio-Technica AT4041Small-diaphragm condenser (fixed-charge back plate), cardioid, transformerless, with 80 Hz high-pass switchsensitivity −36 dBV/Pa, self-noise 24 dB(A), max SPL 145 dBRecommended for 2 instruments
Audio-Technica AT4047/SVLarge dual-diaphragm cardioid condenser (DC bias), transformer-coupled output, with 80 Hz high-pass and 10 dB padsensitivity −35 dBV/Pa, self-noise 9 dB(A), max SPL 149 dBRecommended for 3 instruments- Audio-Technica AT4050Large-diaphragm condenser, multi-pattern (cardioid, omni, figure-8), transformerlesssensitivity −36 dBV/Pa, self-noise 17 dB(A), max SPL 149 dBRecommended for 9 instruments
Audio-Technica AT4051bSmall-diaphragm condenser (externally polarised), cardioid, transformerless, with detachable capsule, 80 Hz high-pass and 10 dB pad switchessensitivity −34 dBV/Pa, self-noise 16 dB(A), max SPL 145 dBRecommended for Timbales
Audio-Technica AT4053bSmall-diaphragm condenser (externally polarised), hypercardioid, transformerless, with detachable capsule, 80 Hz high-pass and 10 dB pad switchessensitivity −34 dBV/Pa, self-noise 16 dB(A), max SPL 145 dB
Audio-Technica AT4060Large-diaphragm cardioid tube (valve) condenser studio mic, side-address, with the AT8560 power supply and AT8447 shock mountsensitivity −34 dBV/Pa, self-noise 19 dB(A), max SPL 150 dBRecommended for 2 instruments
Audio-Technica AT4080Active (phantom-powered) bidirectional ribbon microphone with dual ribbonssensitivity −39 dBV/Pa, self-noise 22 dB(A), max SPL 150 dBRecommended for Drum kit
Audio-Technica AT5045Large-diaphragm (rectangular element) fixed-charge condenser, cardioid, side-address stick-design studio instrument mic, transformer-coupled (50 series)sensitivity −35 dBV/Pa, self-noise 8 dB(A), max SPL 149 dBRecommended for Acoustic guitar
Audio-Technica AT831bMiniature condenser (fixed-charge back plate), cardioid, clip-on lavalier and instrument mic, with a power module for phantom or AA battery and an 80 Hz UniSteep high-passsensitivity −44 dBV/Pa, self-noise 29 dB(A), max SPL 135 dBRecommended for Violin
Audio-Technica ATM230Dynamic, hypercardioid, compact drum mic (toms, snare, percussion) with integral stand clamp and drum-rim mountsensitivity −54 dBV/Pa
Audio-Technica ATM25Dynamic, hypercardioid, kick-drum and instrument mic with integral stand clampsensitivity −54 dBV/PaRecommended for 2 instruments
Audio-Technica ATM350Clip-on condenser, cardioid (violin, folk instruments)sensitivity −49 dBV/Pa, self-noise 27 dB(A), max SPL 149 dBRecommended for Didgeridoo
Audio-Technica ATM450Small-diaphragm condenser (fixed-charge back plate), cardioid, side-address stick instrument mic, with 80 Hz high-pass and 10 dB pad switchessensitivity −41 dBV/Pa, self-noise 25 dB(A), max SPL 152 dB
Audio-Technica ATM650Dynamic, hypercardioid, instrument mic with a flat multi-stage grille, for guitar cabinets, snare and percussionsensitivity −56 dBV/Pa
Audio-Technica ES933Miniature condenser hanging mic for choirs and stages with interchangeable elements (cardioid ES933C, hypercardioid ES933H, MicroLine ES933ML), on a 15.2 m attached cable to an AT8538 power modulesensitivity −40 dBV/Pa, self-noise 29 dB(A), max SPL 138 dBRecommended for Mixed choir (SATB)
Audio-Technica PRO 35Miniature cardioid condenser clip-on for horns, strings and drums, in the UniMount foam-lined clip with a flexible arm; AT8538 power module with 80 Hz roll-offsensitivity −45 dBV/Pa, self-noise 30 dB(A), max SPL 145 dB
Audio-Technica PRO 45Miniature cardioid condenser hanging mic for choirs, ensembles and stages, on a 7.6 m attached cable with the electronics in the XLR plugsensitivity −37 dBV/Pa, self-noise 28 dB(A), max SPL 134 dBRecommended for Mixed choir (SATB)
Audio-Technica U853Miniature condenser hanging mic (UniPoint) for choirs and stages with interchangeable elements (cardioid U853R, UniLine U853RU), on a 7.6 m attached cable to an AT8538 power modulesensitivity −39 dBV/Pa, self-noise 24 dB(A), max SPL 139 dBRecommended for Mixed choir (SATB)
Audix 11
Audix ADX20iMiniature cardioid condenser clip-on for brass and saxophone, on the MC20i gooseneck clip with a butterfly clamp; mini XLR cable for wireless bodypacks, or APS910 phantom adapter (ADX20iP)sensitivity −44.4 dBV/Pa, self-noise 29 dB(A), max SPL 135 dB
Audix D2Dynamic, hypercardioid, compact drum and instrument mic (rack toms, congas, cabinets, brass)sensitivity −58.4 dBV/Pa, max SPL 144 dBRecommended for Toms
Audix D4Dynamic, hypercardioid, compact low-frequency instrument mic (floor toms, small kick drums, bass cabinets)sensitivity −57.1 dBV/Pa, max SPL 144 dBRecommended for Toms
Audix D6Dynamic, cardioid, kick-drum mic with a tailored (scooped) response, machined aluminium bodysensitivity −61.9 dBV/Pa, max SPL 144 dBRecommended for 2 instruments
Audix f6Dynamic, hypercardioid kick-drum and bass-cabinet mic from the Fusion seriessensitivity −58.4 dBV/Pa, max SPL 140 dB
Audix FireBallDynamic, cardioid, ultra-small ball-shaped instrument mic held in the hand, made for harmonica (also beatbox and accordion)sensitivity −56.5 dBV/Pa, max SPL 140 dBRecommended for Harmonica
Audix i5Dynamic, cardioid, all-purpose instrument mic (snare, guitar cabinets), zinc alloy bodysensitivity −55.9 dBV/Pa, max SPL 140 dBRecommended for 2 instruments
Audix MB50502 variantsRecommended for Mixed choir (SATB)Audix MB5050 · Audix MB8450
Audix OM5Dynamic, hypercardioid, handheld vocal mic with a tight pattern for loud stagessensitivity −54 dBV/Pa, max SPL 144 dB
Audix OM7Dynamic, hypercardioid, handheld vocal mic with a deliberately low output (8-10 dB below typical dynamics) for loud stagessensitivity −61.9 dBV/Pa, max SPL 144 dBRecommended for 2 instruments
Austrian Audio 4
Austrian Audio OC16Large-diaphragm cardioid condenser with ceramic CKR6 capsule and two-step low cut; no padsensitivity −39.2 dBV/Pa, self-noise 14 dB(A), max SPL 148 dB
Austrian Audio OC18Large-diaphragm cardioid condenser with ceramic capsule, three-step low cut and two-step padsensitivity −37.7 dBV/Pa, self-noise 9 dB(A), max SPL 148 dBRecommended for Voice
Austrian Audio OC818Large-diaphragm multi-pattern condenser with ceramic capsule; a second output carries the rear diaphragm for setting the pattern after recording, and the pattern, pad and low cut can be set remotelysensitivity −37.7 dBV/Pa, self-noise 9 dB(A), max SPL 148 dBRecommended for Bansuri
Austrian Audio OD303Dynamic supercardioid handheld vocal microphonesensitivity −54.9 dBV/Pa
Avantone 2
- Avantone CK-1Small-diaphragm FET true condenser pencil mic with interchangeable cardioid, hypercardioid and omni capsules, pad and high-pass filtersensitivity −36.5 dBV/Pa, self-noise 17 dB(A), max SPL 138 dB
- Avantone CV-28Small-diaphragm tube condenser pencil mic with interchangeable cardioid, omni and hypercardioid capsules, pad and high-pass filtersensitivity −34 dBV/Pa, self-noise 17 dB(A), max SPL 136 dB
Behringer 3
- Behringer C-2Small-diaphragm cardioid condenser, sold as a matched pairsensitivity −41 dBV/Pa, self-noise 19 dB(A), max SPL 140 dBRecommended for 2 instruments
Behringer ECM8000Electret condenser omni measurement mic, long thin body, phantom poweredRecommended for 2 instruments
Behringer XM8500Dynamic, cardioid, handheld vocal mic (ULTRAVOICE) with internal shock mount and spherical pop filter
beyerdynamic 15
beyerdynamic M 130Double-ribbon dynamic mic, figure-8; end-addresssensitivity −57.5 dBV/PaRecommended for 2 instruments- beyerdynamic M 160Double-ribbon dynamic mic, hypercardioid; end-addresssensitivity −60 dBV/PaRecommended for 8 instruments
beyerdynamic M 201Dynamic (moving coil), hypercardioid, slim pencil-style instrument and speech mic with hum-bucking coilsensitivity −58 dBV/PaRecommended for 2 instruments
beyerdynamic M 260Ribbon (dynamic) mic, hypercardioid, with built-in bass roll-off; end-addresssensitivity −60.5 dBV/PaRecommended for 2 instruments
beyerdynamic M 380Dynamic (moving coil), figure-8, large-diaphragm side-address mic for kick drum, bass instruments and Leslie cabinetssensitivity −46 dBV/Pa, max SPL 140 dB
beyerdynamic M 422Dynamic (moving coil), supercardioid, small-diaphragm end-address drum mic for snare, hi-hats and cymbalssensitivity −60 dBV/Pa
beyerdynamic M 69 TGDynamic (moving coil), hypercardioid; end-address, for speech, vocals, guitar cabinets, brass and woodwindsensitivity −51 dBV/Pa- beyerdynamic M 88 TGDynamic (moving coil), hypercardioid; end-addresssensitivity −50.8 dBV/PaRecommended for 8 instruments
beyerdynamic M 99Dynamic (moving coil), hypercardioid, large studio and broadcast mic with switchable presence and bass-drum EQsensitivity −54 dBV/Pa
beyerdynamic MC 740Large-diaphragm condenser, five switchable patterns, with pad and low-cut filtersensitivity −40 dBV/Pa, self-noise 17 dB(A), max SPL 134 dBRecommended for 2 instruments
beyerdynamic MC 834Condenser, cardioid, side-address studio mic with 10/20 dB pad and two-step low cutsensitivity −34 dBV/Pa, self-noise 18 dB(A), max SPL 130 dBRecommended for Koto
beyerdynamic MC 930Small-diaphragm true condenser, cardioid, pencil-style, with -15 dB pad and low-cut filtersensitivity −30.5 dBV/Pa, self-noise 16 dB(A), max SPL 125 dBRecommended for Kora- beyerdynamic Opus 87Back-electret condenser, cardioid, drum mic on a short gooseneck, with the preamp built into its rim clampsensitivity −46 dBV/Pa, self-noise 22 dB(A), max SPL 136 dB
beyerdynamic TG D71Back-electret condenser boundary mic, half-cardioid, for inside a kick drum (also cajon, piano)sensitivity −56 dBV/Pa, self-noise 31.2 dB(A), max SPL 148 dBRecommended for French horn
beyerdynamic TG V70dDynamic (moving coil), hypercardioid, handheld live vocal mic with a shock-mounted capsulesensitivity −50 dBV/Pa
Blue 6
Blue Baby BottleLarge-diaphragm cardioid condenser, solid-state Class A discrete and transformerless, fixed capsule in a spherical grillesensitivity −29.5 dBV/Pa, self-noise 5.5 dB(A), max SPL 133 dBRecommended for Trombone
Blue CactusLarge-diaphragm tube condenser (ECC 88), multi-pattern: nine patterns from omni to figure-8 set on the power supply; B7 capsule, transformer outputsensitivity −34.9 dBV/Pa, self-noise 10 dB(A), max SPL 134 dBRecommended for Pipa
Blue HummingbirdSmall-diaphragm condenser (pressure gradient), cardioid, with a head that pivots through 180°; capsule based on Blue's B1; Class A discrete electronicssensitivity −36.5 dBV/Pa, self-noise 8.5 dB(A), max SPL 130 dBRecommended for Guzheng
Blue KiwiLarge-diaphragm solid-state condenser, multi-pattern (nine positions, omni to figure-8), dual-backplate B6 capsule, transformerlesssensitivity −34.4 dBV/Pa, self-noise 8.5 dB(A), max SPL 138 dB- Blue YetiUSB condenser mic with three 14 mm capsules and four patterns (stereo, omni, cardioid, figure-8), on a desk standsensitivity −46.9 dBV/Pa, max SPL 120 dB
BluebirdLarge-diaphragm solid-state condenser, cardioid, edge-terminated capsule, transformerless Class Asensitivity −31.4 dBV/Pa, self-noise 7 dB(A), max SPL 138 dB
CAD 3
- CAD D80Large-diaphragm dynamic (moving coil), supercardioid, for guitar cabinets and percussion (CADLive series)sensitivity −48 dBV/Pa, max SPL 132 dB
CAD Equitek E100SLarge-diaphragm transformerless FET condenser, fixed supercardioid, with pad and high-pass filter; very low self-noisesensitivity −30 dBV/Pa, self-noise 3.7 dB(A), max SPL 150 dB
CAD M179Large dual-diaphragm condenser, continuously variable pattern (omni to figure-8, cardioid detent), transformerless, with pad and high-pass filtersensitivity −36 dBV/Pa, self-noise 11 dB(A), max SPL 143 dB
DPA 19
DPA 2011Twin-diaphragm cardioid pencil condenser with interference tube (MMC2011 capsule); specs of the full-size 2011A (MMP-A preamp, -20 dB pad), with the compact 2011C notedsensitivity −40 dBV/Pa, self-noise 20 dB(A), max SPL 134 dBRecommended for 3 instruments
DPA 2012Compact cardioid pencil condenser (17 mm pre-polarised capsule, 94 mm body)sensitivity −42 dBV/Pa, self-noise 20 dB(A), max SPL 148 dBRecommended for 5 instruments
DPA 2015Compact wide-cardioid pencil condenser (17 mm pre-polarised capsule, 94 mm body)sensitivity −38.4 dBV/Pa, self-noise 18 dB(A), max SPL 147 dBRecommended for 4 instruments
DPA 4006-TLOmni small-diaphragm pencil condenser (16 mm pressure capsule) with a transformerless P48 preamp and a 0/-20 dB switch on the connector; swappable gridssensitivity −29 dBV/Pa, self-noise 15 dB(A), max SPL 143 dBRecommended for 2 instruments- DPA 4006AOmni small-diaphragm pencil condenser (16 mm pressure capsule MMC4006 on the MMP-A preamp), with swappable grids and a -20 dB padsensitivity −28.9 dBV/Pa, self-noise 15 dB(A), max SPL 133 dBRecommended for 19 instruments
- DPA 4011ASmall-diaphragm condenser, cardioid (19 mm pencil); the upgraded classic 4011sensitivity −40 dBV/Pa, self-noise 18 dB(A), max SPL 139 dBRecommended for 25 instruments
DPA 4015AWide-cardioid small-diaphragm pencil condenser (d:dicate 4015A, 19 mm capsule, 0/-20 dB attenuator)sensitivity −40 dBV/Pa, self-noise 18 dB(A), max SPL 136 dBRecommended for 8 instruments
DPA 4017BShort shotgun (supercardioid with interference tube) pre-polarised condenser microphone, with switchable high boost and bass roll-offsensitivity −34.4 dBV/Pa, self-noise 13 dB(A), max SPL 134 dB- DPA 4018ASupercardioid small-diaphragm pencil condenser (d:dicate 4018A, 19 mm capsule with -20 dB attenuator)sensitivity −38.4 dBV/Pa, self-noise 16 dB(A), max SPL 134 dBRecommended for 3 instruments
- DPA 4041-SPOmni large-diaphragm pencil condenser (24 mm pressure capsule with stainless-steel diaphragm, phantom-powered preamp)sensitivity −23 dBV/Pa, self-noise 8 dB(A), max SPL 123 dBRecommended for 8 instruments
DPA 4055Kick-drum condenser mic (pre-polarised 17 mm capsule, open cardioid), asymmetric body for use inside or outside the drumsensitivity −54 dBV/Pa, self-noise 27 dB(A), max SPL 156 dBRecommended for Kick drum- DPA 4060Omni miniature condenser (lavalier), with swappable soft-boost and high-boost gridssensitivity −34 dBV/Pa, self-noise 23 dB(A), max SPL 134 dBRecommended for 9 instruments
DPA 4061Omni miniature condenser (lavalier), the Loud SPL version of the 4060 (about 10 dB less sensitive), with soft-boost and high-boost gridssensitivity −44 dBV/Pa, self-noise 26 dB(A), max SPL 134 dBRecommended for 7 instruments
DPA 4066Miniature omnidirectional condenser headset (pre-polarised, 5.4 mm) for speech and vocals, with soft-boost and high-boost gridssensitivity −44 dBV/Pa, self-noise 26 dB(A), max SPL 136 dB
DPA 4088Miniature cardioid condenser headset (pre-polarised, 5.4 mm) for speech and vocals, CORE+ electronicssensitivity −44 dBV/Pa, self-noise 26 dB(A), max SPL 139 dBRecommended for Shakuhachi
DPA 4097Micro shotgun: supercardioid condenser in a short interference tube, on a 10 cm gooseneck (4097 CORE+)sensitivity −36 dBV/Pa, self-noise 23 dB(A), max SPL 131 dBRecommended for Mixed choir (SATB)
DPA 4098Miniature supercardioid condenser (pre-polarised, 5.7 mm) on a gooseneck, for lecterns, tables, ceilings and floor standssensitivity −36 dBV/Pa, self-noise 23 dB(A), max SPL 130 dBRecommended for Mixed choir (SATB)- DPA 4099Supercardioid clip-on condenser on a gooseneck, for instrumentssensitivity −44 dBV/Pa, self-noise 23 dB(A), max SPL 128 dBRecommended for 26 instruments
- DPA d:facto 4018VHandheld supercardioid condenser vocal mic (pre-polarised 19 mm capsule, 3 dB soft boost at 12 kHz) on DPA's wired XLR handlesensitivity −46 dBV/Pa, self-noise 19 dB(A), max SPL 136 dB
Earthworks 8
- Earthworks DM20Small-diaphragm condenser, cardioid, on a gooseneck, for close miking snare and toms; mounts on the drum rimsensitivity −50 dBV/Pa, self-noise 20 dB(A), max SPL 150 dBRecommended for 2 instruments
Earthworks M30Omnidirectional measurement condenser mic, 3 Hz to 30 kHz, Type 1; for room and PA measurementsensitivity −29 dBV/Pa, self-noise 20 dB(A), max SPL 140 dB
Earthworks QTC1Small-diaphragm omni, measurement-style tapered body, phantom powered; 4 Hz to 40 kHz ±1 dBsensitivity −30.5 dBV/Pa, self-noise 22 dB(A), max SPL 142 dBRecommended for 2 instruments- Earthworks QTC40Small-diaphragm condenser, omni (pressure), measurement-style tapered body; 3 Hz to 40 kHzsensitivity −29 dBV/Pa, self-noise 20 dB(A), max SPL 140 dBRecommended for Harp
Earthworks SR25Small-diaphragm cardioid condenser (prepolarised), transformerless; for drum overheads, percussion and guitar ampssensitivity −40 dBV/Pa, self-noise 20 dB(A), max SPL 145 dB
Earthworks SR40VHandheld hypercardioid condenser vocal mic (prepolarised), transformerless, 40 kHz response, wire-mesh windscreensensitivity −40 dBV/Pa, self-noise 15 dB(A), max SPL 145 dB
Earthworks SR69Small-diaphragm cardioid condenser vocal and instrument mic, transformerless, with a foam windscreen; later sold as the SR20sensitivity −40 dBV/Pa, self-noise 22 dB(A), max SPL 145 dBRecommended for Barbershop quartet
Earthworks TC20Omnidirectional (pressure) prepolarized condenser for loud sources, small-diameter tip on a tapered steel bodysensitivity −41.9 dBV/Pa, self-noise 26 dB(A), max SPL 150 dBRecommended for Drum kit
Electro-Voice 23
Electro-Voice 635ADynamic, omnidirectional, steel-cased handheld interview mic (635A fawn beige, 635A/B black)sensitivity −57.1 dBV/PaRecommended for 2 instruments
Electro-Voice N/D468Dynamic (N/DYM neodymium), supercardioid, instrument mic with pivoting yokesensitivity −50.2 dBV/Pa, self-noise 14 dB(A)Recommended for Bodhrán and frame drum
Electro-Voice N/D767aDynamic (N/DYM neodymium), supercardioid, handheld vocal mic with VOB (Vocally Optimized Bass) tailored bass response and multistage shock mountsensitivity −50.2 dBV/Pa
Electro-Voice N/D868Large-diaphragm dynamic cardioid kick drum micsensitivity −60 dBV/Pa
Electro-Voice ND44Dynamic tight-cardioid drum and instrument mic with a low-profile pivoting headsensitivity −52.4 dBV/Pa, max SPL 140 dB
Electro-Voice ND46Dynamic supercardioid instrument mic with a locking pivoting headsensitivity −52.4 dBV/Pa, max SPL 140 dB
Electro-Voice ND66Small-diaphragm condenser cardioid instrument mic with a locking rotating head, pads and high-pass filtersensitivity −40 dBV/Pa, self-noise 20 dB(A), max SPL 146 dB
Electro-Voice ND68Dynamic supercardioid kick-drum and low-frequency instrument micsensitivity −61.9 dBV/Pa, max SPL 140 dB
Electro-Voice ND762 variantsRecommended for Mixed choir (SATB)Electro-Voice ND76 · Electro-Voice ND76S
Electro-Voice ND86Dynamic supercardioid handheld vocal mic for the stagesensitivity −52.4 dBV/Pa, max SPL 140 dB
Electro-Voice ND96Dynamic supercardioid handheld vocal mic for loud stages, with a vocal presence switchsensitivity −49.6 dBV/Pa, max SPL 140 dB
Electro-Voice RE152 variantsRecommended for 4 instrumentsElectro-Voice RE15 · Electro-Voice RE16- Electro-Voice RE20Large dynamic cardioid (Variable-D) for broadcast and voice-over, also kick drum and acoustic guitarsensitivity −56.5 dBV/PaRecommended for 13 instruments
Electro-Voice RE27N/DVariable-D end-address cardioid dynamic for broadcast announce and voice-over, with neodymium magnet and three filter switchessensitivity −52 dBV/PaRecommended for Harp
Electro-Voice RE320Dynamic, cardioid (Variable-D), end-address mic with a two-position voicing switch (kick drum or general)sensitivity −52 dBV/PaRecommended for 2 instruments
Electro-Voice RE410Cardioid handheld condenser vocal micsensitivity −48 dBV/Pa, self-noise 26 dB(A), max SPL 140 dB
Electro-Voice RE50/BOmnidirectional handheld dynamic for broadcast news gathering and interviews, with a shock-isolated elementsensitivity −54.9 dBV/Pa
Electro-Voice RE500True (externally biased) condenser, cardioid, handheld vocal mic for the stagesensitivity −40 dBV/PaRecommended for Flute
Electro-Voice RE510Supercardioid handheld condenser vocal mic with a low-frequency selector switchsensitivity −49.9 dBV/Pa, self-noise 22 dB(A), max SPL 146 dB
Electro-Voice RE90HBack-electret condenser, cardioid, miniature hanging choir mic on 7.6 m of cable with an in-line electronics module (RE90 series); RE90HW is the white versionsensitivity −34 dBV/Pa, self-noise 25 dB(A), max SPL 120 dBRecommended for Mixed choir (SATB)
Electro-Voice RE92HBack-electret condenser, cardioid, miniature hanging choir mic on 7.6 m of cable with an in-line electronics module; RE92HW is the white versionsensitivity −45 dBV/Pa, self-noise 30 dB(A), max SPL 135 dBRecommended for Mixed choir (SATB)
Heil 4
Heil PR 22Large-diaphragm handheld dynamic, cardioid, for live vocals, snare and guitar ampssensitivity −55 dBV/Pa, max SPL 145 dB
Heil PR 30Large-diaphragm end-address dynamic, supercardioid, for guitar amps, drums, broadcast and podcastsensitivity −51 dBV/Pa, max SPL 146 dB
Heil PR 35Large-diaphragm handheld dynamic, supercardioid, for live vocals, with a low-cut switchsensitivity −52.9 dBV/Pa, max SPL 140 dB
Heil PR 40Large end-address dynamic for broadcast, podcast and voice-over, also kick drumsensitivity −53.9 dBV/Pa, max SPL 148 dBRecommended for 2 instruments
Josephson 2
Josephson C42Small-diaphragm cardioid condenser, transformerless discrete class-A output; stainless steel bodysensitivity −41.4 dBV/Pa, self-noise 21 dB(A), max SPL 135 dB
Josephson e22SSide-address cardioid condenser with a small head, cascode FET and Lundahl output transformer; for close miking drums and instrumentssensitivity −50.5 dBV/Pa, self-noise 15 dB(A), max SPL 144 dB
LEWITT 2
- LEWITT LCT 440 PURELarge-diaphragm condenser (1 inch, externally polarised), cardioid only, no switchessensitivity −31.2 dBV/Pa, self-noise 7 dB(A), max SPL 140 dBRecommended for Voice
LEWITT LCT 540 SLarge-diaphragm condenser (1 inch, externally polarised), cardioid only, with push-button low cut and padsensitivity −28 dBV/Pa, self-noise 4 dB(A), max SPL 136 dB
Microtech Gefell 4
Microtech Gefell M 221Small-diaphragm omnidirectional pressure condenser: a ½" measurement capsule with nickel diaphragm on a P48 studio preamp, free-field equalisedsensitivity −26 dBV/Pa, self-noise 15 dB(A), max SPL 136 dBRecommended for Tubular bells
Microtech Gefell M 300Compact small-diaphragm cardioid condenser (PE diaphragm, transformerless transistor preamp), end-addresssensitivity −38.4 dBV/Pa, self-noise 14 dB(A), max SPL 147 dBRecommended for Violin
Microtech Gefell M 9302 variantsRecommended for 3 instrumentsMicrotech Gefell M 930 · Microtech Gefell M 940
Mojave 4
Mojave MA-2002 variantsMojave MA-200 · Mojave MA-300
Mojave MA-201fetLarge-diaphragm FET condenser with output transformer, fixed cardioidsensitivity −40.5 dBV/Pa, self-noise 14 dB(A), max SPL 120 dB
Mojave MA-50Large-diaphragm transformerless FET condenser, fixed cardioidsensitivity −40 dBV/Pa, self-noise 16 dB(A), max SPL 125 dB
MXL 5
- MXL 603SSmall-diaphragm condenser, cardioid, end-address instrument mic (sold singly as the 603S, now as the 603 PAIR)sensitivity −40 dBV/Pa, self-noise 18 dB(A), max SPL 134 dBRecommended for 2 instruments
MXL 770Condenser (FET, transformerless), cardioid, side-address, with -10 dB pad and 150 Hz bass roll-offsensitivity −36.5 dBV/Pa, self-noise 20 dB(A), max SPL 137 dB
MXL 990Large-diaphragm condenser (FET), cardioid, side-addresssensitivity −36.5 dBV/Pa, self-noise 20 dB(A), max SPL 130 dBRecommended for Great Highland bagpipe- MXL 993Instrument condenser (pressure gradient), cardioid, with switchable 100 Hz high-pass filter and 10 dB padsensitivity −40 dBV/Pa, self-noise 18 dB(A), max SPL 134 dBRecommended for Kalimba and mbira
MXL V67GLarge-diaphragm condenser (Class A FET, transformer-coupled output), cardioid, side-addresssensitivity −36.5 dBV/Pa, self-noise 20 dB(A), max SPL 130 dB
Neumann 35
Neumann BCM 104Large-diaphragm condenser broadcast microphone, cardioid, end-address, transformerless, with built-in pop screen, internal pad and low-cut switches, and elastic mount for a boom armsensitivity −33.1 dBV/Pa, self-noise 7 dB(A), max SPL 138 dB
Neumann BCM 705Dynamic broadcast and podcast microphone, hypercardioid, end-address, with built-in pop screen and elastic mount for a boom armsensitivity −55.4 dBV/Pa, self-noise 18 dB(A), max SPL 150 dB- Neumann KM 131Small-diaphragm condenser, omni (free-field equalised pressure capsule): the AK 31 active capsule on the KM 100 output stage; discontinuedsensitivity −38.4 dBV/Pa, self-noise 16 dB(A), max SPL 140 dB
- Neumann KM 140Small-diaphragm condenser, cardioid: the AK 40 active capsule on the KM 100 output stage; discontinuedsensitivity −36.5 dBV/Pa, self-noise 16 dB(A), max SPL 138 dB
Neumann KM 183Small-diaphragm condenser, omni (pressure); free-field equalised with a treble lift, flat in the diffuse fieldsensitivity −38.4 dBV/Pa, self-noise 13 dB(A), max SPL 140 dB- Neumann KM 1842 variantsRecommended for 28 instrumentsNeumann KM 184 · Neumann KM 184 D
Neumann KM 185Small-diaphragm condenser, hypercardioid, transformerlesssensitivity −40 dBV/Pa, self-noise 15 dB(A), max SPL 142 dB- Neumann KM 842 variantsRecommended for 17 instrumentsNeumann KM 84 · Neumann KM 85
Neumann KM 86Small condenser, two back-to-back cardioid capsules: omni, cardioid or figure-8; fet 80 series, P48; made about 1968 to 1986, discontinuedsensitivity −40.4 dBV/Pa, self-noise 19 dB(A), max SPL 121 dBRecommended for Snare drum
Neumann KMR 81 iShort shotgun condenser: a pressure-gradient capsule in an interference tube, supercardioid/lobe pattern; for film dialogue and ENGsensitivity −34.9 dBV/Pa, self-noise 12 dB(A), max SPL 128 dB
Neumann KMS 104Handheld stage vocal condenser, cardioid, transformerless, with built-in pop filter and fixed high-passsensitivity −47 dBV/Pa, self-noise 18 dB(A), max SPL 150 dBRecommended for 2 instruments
Neumann KMS 105Handheld stage vocal condenser, supercardioid, transformerless, with built-in pop filter and fixed high-passsensitivity −47 dBV/Pa, self-noise 18 dB(A), max SPL 150 dB
Neumann M 147 TubeLarge-diaphragm tube condenser, cardioid, K 47 capsule, transformerless output; external N 149 A supplysensitivity −34 dBV/Pa, self-noise 12 dB(A), max SPL 114 dBRecommended for Tanpura
Neumann M 149 TubeLarge-diaphragm tube condenser, nine patterns, K 47/49 capsule, transformerless output; seven-step low cut; external N 149 A supplysensitivity −26.6 dBV/Pa, self-noise 13 dB(A), max SPL 120 dBRecommended for 2 instruments
Neumann M 49 VTube (valve) condenser, large dual-diaphragm (K 47/49), pattern continuously variable from omni through cardioid to figure-8 by remote control; the 2022 re-edition of the M 49sensitivity −42 dBV/Pa, self-noise 20 dB(A), max SPL 125 dBRecommended for Voice
Neumann M 50Tube condenser, omni: a small pressure capsule set flush in a perspex sphere, so it grows directional at high frequencies; the Decca tree mic. Made 1951 to 1971, discontinuedsensitivity −36.5 dBV/Pa, max SPL 126 dBRecommended for 3 instruments- Neumann MCM KK 14Miniature cardioid electret capsule head (12 mm) for Neumann's Miniature Clip Mic (MCM) system; on the MCM 100 XLR output stage it is the MCM 114sensitivity −49 dBV/Pa, self-noise 23 dB(A), max SPL 153 dBRecommended for 2 instruments
Neumann TLM 102Large-diaphragm condenser, cardioid, transformerless; compactsensitivity −39.2 dBV/Pa, self-noise 12 dB(A), max SPL 144 dBRecommended for 4 instruments- Neumann TLM 103Large-diaphragm condenser, cardioid, transformerless; very low self-noisesensitivity −32.5 dBV/Pa, self-noise 7 dB(A), max SPL 138 dBRecommended for 8 instruments
Neumann TLM 107Large-diaphragm condenser, five patterns, transformerless; pad and low cut set with a navigation switchsensitivity −39.2 dBV/Pa, self-noise 10 dB(A), max SPL 141 dBRecommended for Celesta
Neumann TLM 127Large-diaphragm condenser, transformerless; omni and cardioid on the mic, plus wide cardioid, hypercardioid and figure-8 by remote from a special power supply; pad and low cut; discontinuedsensitivity −38.4 dBV/Pa, self-noise 8 dB(A), max SPL 140 dB
Neumann TLM 170 RLarge-diaphragm condenser, transformerless, five patterns (omni to figure-8) switchable on the mic or by remote, with pad and low cutsensitivity −42 dBV/Pa, self-noise 14 dB(A), max SPL 144 dBRecommended for 4 instruments
Neumann TLM 193Large-diaphragm condenser, cardioid only, transformerless; no switchessensitivity −35 dBV/Pa, self-noise 10 dB(A), max SPL 140 dBRecommended for Viola
Neumann TLM 49Large-diaphragm condenser, cardioid, transformerless, with the K 47 capsule in the large M 49-style headgrille; tube-like soft saturationsensitivity −38 dBV/Pa, self-noise 12 dB(A), max SPL 110 dB
Neumann TLM 50Small-diaphragm condenser, omni: a pressure capsule set flush in a 56 mm sphere, as in the M 50, so it grows directional at high frequencies; transformerless; discontinuedsensitivity −34 dBV/Pa, self-noise 13 dB(A), max SPL 136 dB
Neumann TLM 67Large-diaphragm condenser, three patterns, transformerless, with the K 67 capsule and a tube-like (EF 86) sound designsensitivity −35 dBV/Pa, self-noise 11 dB(A), max SPL 105 dB- Neumann U 47Large-diaphragm tube condenser, cardioid or omni (switch on the body), VF 14 tube; made 1949 to 1965, discontinuedsensitivity −32 dBV/Pa, max SPL 110 dBRecommended for 9 instruments
Neumann U 47 fetLarge-diaphragm FET condenser, cardioid, with pad and low cut; made 1972 to 1986 (the 1983 manual) and again as the 2014 Collectors Editionsensitivity −41.9 dBV/Pa, self-noise 18 dB(A), max SPL 137 dBRecommended for 6 instruments- Neumann U 67Large-diaphragm tube condenser (EF 86), omni, cardioid and figure-8; discontinued (the specs here are for the 1992 reissue)sensitivity −32.4 dBV/Pa, self-noise 17 dB(A), max SPL 114 dBRecommended for 7 instruments
- Neumann U 87 (U 87 i)Large-diaphragm condenser (FET, transformer output) with three patterns (omni, cardioid, figure-8); the original U 87 and the U 87 i, before the U 87 Aisensitivity −41.9 dBV/Pa, self-noise 18 dB(A), max SPL 122 dBRecommended for 30 instruments
Neumann U 87 AiLarge-diaphragm condenser with three patterns (omni, cardioid, figure-8)sensitivity −31.1 dBV/Pa, self-noise 12 dB(A), max SPL 117 dBRecommended for 2 instruments- Neumann U 89 iLarge-diaphragm condenser, five patterns, transformer output; two-stage low cut and -6 dB padsensitivity −42 dBV/Pa, self-noise 17 dB(A), max SPL 134 dB
Neumann USM 69 iStereo condenser: two large-diaphragm dual-diaphragm capsules stacked one above the other, each with its own amplifier and five-position pattern switch; the upper one rotates through 270° for XY, MS and Blumleinsensitivity −37.7 dBV/Pa, self-noise 13 dB(A), max SPL 132 dB
RCA 2
RCA 44-BXPassive ribbon (velocity), figure-8, broadcast studio microphonesensitivity −54 dBV/PaRecommended for Concert bass drum
RCA 77-DXPassive ribbon, polydirectional (shutter on an acoustic labyrinth: unidirectional, bidirectional, nondirectional and three in-between settings), broadcast and television microphonesensitivity −55 dBV/Pa
Royer 8
Royer R-10Passive ribbon, figure-8, compact, for studio and stagesensitivity −54 dBV/Pa, max SPL 160 dBRecommended for Violin
Royer R-101Passive ribbon, figure-8, offset ribbon with internally shock-mounted transducer and multi-layer wind screensensitivity −48 dBV/Pa, max SPL 135 dB- Royer R-1212 variantsRecommended for 24 instrumentsRoyer R-121 · Royer R-122
Royer R-122 MKIIActive ribbon (phantom-powered), figure-8, with -15 dB pad and 100 Hz bass cutsensitivity −34 dBV/Pa, self-noise 18 dB(A), max SPL 135 dBRecommended for 4 instruments- Royer SF-12Stereo coincident ribbon mic: two figure-8 ribbons at 90° (Blumlein, M-S) in one bodysensitivity −50 dBV/Pa, max SPL 130 dBRecommended for 10 instruments
Royer SF-2Active ribbon mic, figure-8, phantom powered; a compact mono ribbon with condenser-like outputsensitivity −38 dBV/Pa, self-noise 20 dB(A), max SPL 130 dBRecommended for 2 instruments
Royer SF-24Active stereo coincident ribbon mic: two figure-8 ribbons at 90° (Blumlein, M-S) in one body, phantom poweredsensitivity −38 dBV/Pa, max SPL 130 dBRecommended for 3 instruments
RØDE 25
RØDE BroadcasterLarge-diaphragm (1 inch) end-address cardioid condenser for broadcast voice, with internal pop filter, high-pass filter and on-air LEDsensitivity −34 dBV/Pa, self-noise 14 dB(A), max SPL 128 dB
RØDE K2Valve (tube) condenser, large diaphragm, continuously variable pattern from omni through cardioid to figure-8, side-addresssensitivity −36 dBV/Pa, self-noise 10 dB(A), max SPL 162 dBRecommended for Didgeridoo
RØDE M3End-address 1/2-inch electret condenser, cardioid; runs on a 9 V battery or phantom power, with an 80 Hz high-pass filter and a -10/-20 dB padsensitivity −40 dBV/Pa, self-noise 21 dB(A), max SPL 142 dBRecommended for Acoustic guitar
RØDE M5End-address small-diaphragm (1/2-inch) cardioid condenser, sold as a matched pairsensitivity −34 dBV/Pa, self-noise 19 dB(A), max SPL 140 dBRecommended for Mixed choir (SATB)
RØDE NT-SF1Ambisonic mic: four condenser capsules in a tetrahedron, recorded as four A-format channelsself-noise 17 dB(A)
RØDE NT-USBUSB condenser microphone, cardioid, side-address, with 16-bit/48 kHz converter, zero-latency headphone output and monitor mix controlmax SPL 110 dBRecommended for Ukulele
RØDE NT12 variantsRecommended for 7 instrumentsRØDE NT1 · RØDE NT1 Signature Series
RØDE NT1-ALarge-diaphragm condenser (1 inch), cardioid, transformerless; very low self-noisesensitivity −31.9 dBV/Pa, self-noise 5 dB(A), max SPL 137 dBRecommended for 2 instruments
RØDE NT1000Side-address large-diaphragm (1-inch) condenser, cardioid only, transformerless; no pad or filtersensitivity −36 dBV/Pa, self-noise 6 dB(A), max SPL 140 dBRecommended for Steel guitar
RØDE NT2-ASide-address large dual-diaphragm (1-inch) condenser, multi-pattern (omni, cardioid, figure-8), with three-position pad and high-pass filter on the bodysensitivity −36 dBV/Pa, self-noise 7 dB(A), max SPL 147 dBRecommended for 2 instruments
RØDE NT3End-address 3/4-inch condenser (externally polarised), cardioid; runs on a 9 V battery or phantom powersensitivity −39 dBV/Pa, self-noise 16 dB(A), max SPL 140 dBRecommended for Mixed choir (SATB)
RØDE NT4X/Y stereo small-diaphragm condenser: two cardioid 1/2 inch capsules at 90° in one bodysensitivity −38 dBV/Pa, self-noise 16 dB(A), max SPL 143 dBRecommended for 6 instruments- RØDE NT5Small-diaphragm condenser (1/2 inch), cardioid; sold singly or as a matched pairsensitivity −38 dBV/Pa, self-noise 16 dB(A), max SPL 143 dBRecommended for 8 instruments
RØDE NT55Small-diaphragm condenser (1/2 inch) with interchangeable cardioid and omni capsules, pad and high-pass filter; sold singly or as a matched pairsensitivity −38 dBV/Pa, self-noise 15 dB(A), max SPL 136 dB
RØDE NT6Small-diaphragm (1/2 inch) cardioid condenser with the capsule on a remote head, joined to the preamp body by a 3 m cable; pad and high-pass filter on the bodysensitivity −37 dBV/Pa, self-noise 19 dB(A), max SPL 135 dB
RØDE NTG3RF-biased condenser shotgun (line gradient), supercardioid, for boom and camera; resistant to moisturesensitivity −30 dBV/Pa, self-noise 13 dB(A), max SPL 130 dB
RØDE NTG4+Condenser shotgun (line gradient), supercardioid, powered by P48 or an internal rechargeable battery; high-pass filter, -10 dB pad and high-frequency boostsensitivity −32 dBV/Pa, self-noise 16 dB(A), max SPL 135 dB
RØDE NTG5RF-biased condenser short shotgun, supercardioid, 76 g aluminium body, for boom and location worksensitivity −23.5 dBV/Pa, self-noise 10 dB(A), max SPL 130 dB
RØDE NTRActive ribbon microphone, figure-8, side-address; 1.8 micron ribbon, step-up transformer and preamp, needs phantom powersensitivity −30.5 dBV/Pa, self-noise 15 dB(A), max SPL 130 dBRecommended for Acoustic guitar
RØDE PodcasterEnd-address cardioid dynamic USB microphone with built-in A/D, headphone output with level control, and internal pop filtersensitivity −51 dBV/Pa, max SPL 115 dB
RØDE PodMicEnd-address cardioid dynamic for podcasting and speech, with internal pop filter and shock mount and an integrated swing mountsensitivity −57 dBV/Pa
RØDE ProcasterEnd-address cardioid dynamic for broadcast, podcasting and voice-over, with internal pop filter and capsule shock mountsensitivity −56 dBV/Pa
RØDE TF-5Small-diaphragm condenser, cardioid, sold as a matched pair with a stereo bar; designed with the classical recording engineer Tony Faulknersensitivity −29 dBV/Pa, self-noise 14 dB(A), max SPL 135 dBRecommended for Tubular bells
RØDE VideoMic NTGOn-camera electret shotgun, supercardioid, battery powered, with an auto-sensing 3.5 mm output and a USB-C digital output; gain dial, pad, safety channel, HF boost and two-step high-pass filtersensitivity −31 dBV/Pa, self-noise 15 dB(A), max SPL 120 dB
Sanken 2
Sanken CO-100KOmnidirectional condenser mic with a 20 Hz to 100 kHz range, for recording (not measurement)sensitivity −28 dBV/Pa, self-noise 22 dB(A), max SPL 125 dBRecommended for Sarod
Sanken COS-11DMiniature omnidirectional lavalier (electret condenser), with a 48 V phantom XLR power modulesensitivity −35 dBV/Pa, self-noise 28 dB(A), max SPL 127 dBRecommended for Chamber choir
Schoeps 13
Schoeps CCM 21Compact small-diaphragm wide-cardioid condenser mic (CCM series): the MK 21 capsule and amplifier in one short bodysensitivity −37.7 dBV/Pa, self-noise 14 dB(A), max SPL 132 dBRecommended for Harpsichord
Schoeps CCM 4Compact small-diaphragm cardioid condenser mic (CCM series): the MK 4 capsule and amplifier in one short bodysensitivity −37.7 dBV/Pa, self-noise 15 dB(A), max SPL 132 dBRecommended for 2 instruments
Schoeps CMIT 5Short shotgun (interference-tube) condenser microphone with three switchable filterssensitivity −35.4 dBV/Pa, self-noise 14 dB(A), max SPL 132 dB
Schoeps MK 22 variantsRecommended for 3 instrumentsSchoeps MK 2 · Schoeps MK 2S
Schoeps MK 21Small-diaphragm wide-cardioid condenser capsule (Colette series), on a CMC 6 amplifiersensitivity −37.7 dBV/Pa, self-noise 15 dB(A), max SPL 132 dBRecommended for 5 instruments
Schoeps MK 22Small-diaphragm "Open Cardioid" condenser capsule (Colette series), between wide cardioid and cardioid, on a CMC 6 amplifiersensitivity −37.1 dBV/Pa, self-noise 14 dB(A), max SPL 131 dB- Schoeps MK 4Small-diaphragm cardioid condenser capsule (Colette series), on a CMC 6 amplifiersensitivity −37.7 dBV/Pa, self-noise 15 dB(A), max SPL 132 dBRecommended for 12 instruments
Schoeps MK 41Small-diaphragm supercardioid condenser capsule (Colette series), on a CMC 6 amplifiersensitivity −37.7 dBV/Pa, self-noise 16 dB(A), max SPL 132 dBRecommended for Sitar
Schoeps MK 4VSmall-diaphragm side-addressed cardioid condenser capsule (Colette series), on a CMC 6 amplifiersensitivity −37.7 dBV/Pa, self-noise 14 dB(A), max SPL 132 dB
Schoeps MK 5Small-diaphragm condenser capsule, switchable omni/cardioid (Colette series), on a CMC 6 amplifiersensitivity −37.7 dBV/Pa, self-noise 16 dB(A), max SPL 132 dBRecommended for Kora
Schoeps MK 8Small-diaphragm figure-8 condenser capsule (Colette series), single diaphragm, side-address, on a CMC 6 amplifier; for M/S and Blumlein stereosensitivity −40 dBV/Pa, self-noise 18 dB(A), max SPL 134 dB
Schoeps V4 UStudio vocal condenser microphone, cardioid; small diaphragm with a 33 mm bevelled collar, tilting headsensitivity −35.9 dBV/Pa, self-noise 15 dB(A), max SPL 144 dBRecommended for Mezzo-soprano
sE 11
sE RNR1Active ribbon, figure-8, co-designed with Rupert Neve, with a switchable low-cut filtersensitivity −32 dBV/Pa, self-noise 17 dB(A), max SPL 137 dBRecommended for Drum kit
sE V BeatCompact dynamic supercardioid snare and tom mic with a built-in swivel mountsensitivity −54 dBV/PaRecommended for 2 instruments
sE V KickDynamic supercardioid kick-drum mic with two voicing switches and a built-in swivel mountsensitivity −69 dBV/PaRecommended for Kick drum
sE V7Handheld supercardioid dynamic vocal micsensitivity −54 dBV/PaRecommended for 2 instruments
sE V7 XSupercardioid dynamic instrument micsensitivity −54 dBV/Pa
sE VR12 variantsRecommended for Acoustic guitarsE VR1 · sE VR2
sE X1 SLarge-diaphragm (1") cardioid condenser, with two pads and two low-cut filterssensitivity −30.5 dBV/Pa, self-noise 9 dB(A), max SPL 140 dBRecommended for Cajón
sE4400Large-diaphragm condenser with four patterns (cardioid, omni, hypercardioid, figure-8)sensitivity −32 dBV/Pa, self-noise 13 dB(A), max SPL 137 dB
sE7Small-diaphragm (1/2 inch) back-electret cardioid condenser with 20 dB pad and 80 Hz low-cut filter; sold singly or as a matched pairsensitivity −34.5 dBV/Pa, self-noise 16 dB(A), max SPL 136 dB
sE8Small-diaphragm cardioid condenser ("pencil")sensitivity −32 dBV/Pa, self-noise 13 dB(A), max SPL 139 dBRecommended for Erhu
Sennheiser 40
Sennheiser e 602-IIDynamic, cardioid, kick-drum and bass instrument mic with integral stand mountsensitivity −72 dBV/PaRecommended for 2 instruments
Sennheiser e 604Dynamic, cardioid, compact drum and brass mic with integral clip mountsensitivity −54.9 dBV/Pa, max SPL 160 dBRecommended for 2 instruments
Sennheiser e 608Dynamic, supercardioid, miniature clip-on instrument mic on a gooseneck, for drums, brass and woodwindsensitivity −61.9 dBV/PaRecommended for Hurdy-gurdy
Sennheiser e 609 silverDynamic, supercardioid, flat side-address instrument mic for guitar ampssensitivity −56.5 dBV/PaRecommended for Steel guitar
Sennheiser e 614Pre-polarised (electret) condenser, supercardioid, compact pencil mic for overheads, hi-hat and percussionsensitivity −50.5 dBV/Pa, self-noise 24 dB(A), max SPL 139 dB
Sennheiser e 835Dynamic, cardioid, handheld lead-vocal stage mic; the e 835-S adds a silent on/off switchsensitivity −51.4 dBV/PaRecommended for Mixed choir (SATB)
Sennheiser e 840Dynamic, cardioid, handheld vocal stage mic (evolution series); the e 840 S adds a silent on/off switchsensitivity −54 dBV/Pa
Sennheiser e 845Dynamic, supercardioid, handheld lead-vocal stage mic; the e 845-S adds a silent on/off switchsensitivity −54.9 dBV/Pa
Sennheiser e 865Pre-polarised (electret) condenser, supercardioid, handheld vocal mic; e 865-S with on/off switchsensitivity −50.5 dBV/Pa, max SPL 150 dBRecommended for Hurdy-gurdy
Sennheiser e 901Pre-polarised condenser boundary microphone, half-cardioid, for kick drum (evolution series)sensitivity −66 dBV/Pa, max SPL 154 dB
Sennheiser e 902Dynamic, cardioid, kick-drum and bass instrument mic with integral stand mountsensitivity −74 dBV/PaRecommended for 2 instruments
Sennheiser e 904Dynamic, cardioid, compact drum mic with integral stand mount and rim clipsensitivity −54 dBV/Pa
Sennheiser e 906Dynamic, supercardioid, flat side-address instrument mic for guitar amps, with three-position presence switchsensitivity −53.2 dBV/Pa
Sennheiser e 908 BMiniature cardioid condenser clip-on for brass, on a long gooseneck with a bell clamp; MZA 900 P in-line phantom adaptersensitivity −48 dBV/Pa, self-noise 35 dB(A), max SPL 147 dB
Sennheiser e 914Pre-polarised condenser instrument microphone, cardioid, exchangeable capsule, with 3-position pad and bass filter switches (evolution series)sensitivity −43.1 dBV/Pa, self-noise 24 dB(A), max SPL 137 dB
Sennheiser e 935Dynamic, cardioid, handheld vocal stage mic with hum-compensating coilsensitivity −51.1 dBV/Pa
Sennheiser e 945Dynamic, supercardioid, handheld lead-vocal stage mic with hum-compensating coilsensitivity −54 dBV/Pa
Sennheiser e 965Condenser (true condenser, 1" dual diaphragm), handheld vocal mic with switchable cardioid/supercardioid, low cut and -10 dB padsensitivity −43.1 dBV/Pa, self-noise 21 dB(A), max SPL 142 dBRecommended for 2 instruments
Sennheiser MD 409Dynamic (moving coil), cardioid, flat rectangular side-address mic for drums, brass and instrument amps; documented here as the MD 409 U 3 (XLR version)sensitivity −58.6 dBV/Pa- Sennheiser MD 421Dynamic, cardioid, five-step bass control (the original MD 421: N, -2, U-4 and U-5 versions)sensitivity −54 dBV/PaRecommended for 24 instruments
Sennheiser MD 421-IIDynamic, cardioid, 5-position bass roll-offsensitivity −54 dBV/PaRecommended for 2 instruments
Sennheiser MD 431 IIDynamic, supercardioid, handheld vocal mic with shock-mounted capsule, hum-bucking coil and lockable reed on/off switchsensitivity −54 dBV/Pa- Sennheiser MD 441 UDynamic, super-cardioid, end-address; five-position bass control and a brilliance switchsensitivity −55 dBV/PaRecommended for 8 instruments
Sennheiser ME 66Short shotgun back-electret condenser microphone head, supercardioid/lobar, for the K6 and K6P powering modules (K6 modular system)sensitivity −26 dBV/Pa, self-noise 10 dB(A), max SPL 126 dB
Sennheiser MK 4Large-diaphragm condenser (1 inch, externally polarised), cardioid, internally shock-mounted capsule, no switchessensitivity −32 dBV/Pa, self-noise 10 dB(A), max SPL 140 dB
Sennheiser MK 8Large-diaphragm true condenser, dual 1-inch diaphragms, five switchable patterns, with pad and low-cut switches; studio vocal micsensitivity −37 dBV/Pa, self-noise 10 dB(A), max SPL 142 dBRecommended for Acoustic guitar
Sennheiser MKE 600Shotgun (interference tube) condenser for video cameras, supercardioid/lobar; phantom or AA-battery powered, switchable low cutsensitivity −33.6 dBV/Pa, self-noise 15 dB(A), max SPL 132 dB
Sennheiser MKH 20 P48RF small-diaphragm condenser, omni, with switchable diffuse-field correction and padsensitivity −32 dBV/Pa, self-noise 10 dB(A), max SPL 134 dBRecommended for 4 instruments
Sennheiser MKH 30 P48Small-diaphragm RF condenser, figure-8; symmetrical push-pull transducer, the side mic for MS stereosensitivity −32 dBV/Pa, self-noise 13 dB(A), max SPL 134 dBRecommended for Toms
Sennheiser MKH 40 P48Small-diaphragm RF condenser, cardioid; symmetrical push-pull transducer, very low self-noisesensitivity −32 dBV/Pa, self-noise 12 dB(A), max SPL 134 dBRecommended for 5 instruments
Sennheiser MKH 416Shotgun (interference tube), RF condenser, supercardioid/lobarsensitivity −32 dBV/Pa, self-noise 13 dB(A), max SPL 130 dB
Sennheiser MKH 50 P48Small-diaphragm RF condenser, supercardioid; symmetrical push-pull transducer, very low self-noisesensitivity −32 dBV/Pa, self-noise 12 dB(A), max SPL 134 dB
Sennheiser MKH 60Short shotgun (interference tube), RF condenser, supercardioid/lobar, with switchable pad, roll-off and treble emphasissensitivity −28 dBV/Pa, self-noise 8 dB(A), max SPL 125 dB
Sennheiser MKH 70Long shotgun (interference tube), RF condenser, supercardioid/lobar, with switchable pad, roll-off and treble emphasissensitivity −26 dBV/Pa, self-noise 5 dB(A), max SPL 124 dB
Sennheiser MKH 800RF condenser, five switchable patterns, response to 50 kHz, small side-address studio micsensitivity −28 dBV/Pa, self-noise 10 dB(A), max SPL 136 dBRecommended for 2 instruments
Sennheiser MKH 8020Small-diaphragm RF condenser, omni (pressure); modular MKH 8000 series (microphone head on the MZX 8000 XLR module)sensitivity −30 dBV/Pa, self-noise 10 dB(A), max SPL 138 dB
Sennheiser MKH 8040Small-diaphragm RF condenser, cardioid; modular MKH 8000 series (microphone head on the MZX 8000 XLR module)sensitivity −34 dBV/Pa, self-noise 13 dB(A), max SPL 142 dB
Sennheiser MKH 8050Small-diaphragm RF condenser, supercardioid; modular MKH 8000 series (microphone head on the MZX 8000 XLR module)sensitivity −34 dBV/Pa, self-noise 13 dB(A), max SPL 142 dB
Sennheiser MKH 8060Short shotgun (interference tube), RF condenser, supercardioid/lobar; modular MKH 8000 series (microphone head on the MZX 8000 XLR module)sensitivity −24 dBV/Pa, self-noise 11 dB(A), max SPL 129 dB
Sennheiser MKH 8090Small-diaphragm RF condenser, wide cardioid; modular MKH 8000 series (microphone head on the MZX 8000 XLR module)sensitivity −34 dBV/Pa, self-noise 13 dB(A), max SPL 142 dB
Shure 60
Shure 520DX "Green Bullet"High-impedance omni dynamic harmonica mic with a volume control and an attached cable with a 1/4-inch plugsensitivity −38 dBV/PaRecommended for 2 instruments
Shure 55SH Series IIDynamic (moving coil), cardioid, retro "Iconic Unidyne" vocal mic on a swivel mount with on/off switchsensitivity −58 dBV/Pa- Shure Beta 181Ultra-compact side-address small-diaphragm electret condenser instrument mic: an XLR preamp with interchangeable cardioid, supercardioid, omni and bidirectional capsulessensitivity −46.5 dBV/Pa, self-noise 20.5 dB(A), max SPL 149 dB
Shure Beta 27Side-address supercardioid condenser (externally biased, 1-inch diaphragm), transformerless, with a -15 dB pad and a three-position low-frequency filter; for instruments and stagesensitivity −37 dBV/Pa, self-noise 8.5 dB(A), max SPL 134 dB- Shure Beta 52ADynamic (moving coil), supercardioid, kick-drum mic with built-in locking stand adaptersensitivity −64 dBV/Pa, max SPL 174 dBRecommended for 6 instruments
Shure Beta 53Subminiature electret condenser headworn mic, omnidirectional, on a wire-frame headband, with two interchangeable protective caps (standard and filtered) and a detachable in-line preamp for phantom powersensitivity −54 dBV/Pa, self-noise 42.5 dB(A), max SPL 139.4 dB
Shure Beta 54Subminiature electret condenser headworn mic, supercardioid, on a wire-frame headband, with snap-fit windscreens and a detachable in-line preamp for phantom powersensitivity −56 dBV/Pa, self-noise 43.1 dB(A), max SPL 141.4 dB
Shure Beta 56ADynamic (moving coil), supercardioid, compact drum and instrument mic with built-in locking stand adaptersensitivity −51 dBV/PaRecommended for 8 instruments
Shure Beta 57ADynamic (moving coil), supercardioid, instrument mic with neodymium magnetsensitivity −51 dBV/PaRecommended for 12 instruments
Shure Beta 58ADynamic (moving coil), supercardioid, handheld vocal mic with neodymium magnetsensitivity −51 dBV/PaRecommended for 3 instruments
Shure Beta 87AElectret condenser, supercardioid, handheld vocal mic for stage and studiosensitivity −52.5 dBV/Pa, self-noise 23.5 dB(A), max SPL 140.5 dBRecommended for 2 instruments
Shure Beta 91ABoundary condenser, half-cardioid (kick drum, piano)sensitivity −48.5 dBV/Pa, self-noise 29.5 dB(A), max SPL 155 dBRecommended for 5 instruments
Shure Beta 982 variantsRecommended for 5 instrumentsShure Beta 98/S · Shure Beta 98D/S
Shure Beta 98AMPMiniature cardioid electret condenser instrument mic on a gooseneck with an integrated XLR preamplifier; sold with the A75M universal mount for drums and percussionsensitivity −50.5 dBV/Pa, self-noise 31 dB(A), max SPL 157.5 dBRecommended for Toms
Shure Beta 98H/CMiniature cardioid electret condenser instrument mic on a gooseneck with a clamp for horn bells and drum rims; RPM626 in-line preampsensitivity −56 dBV/Pa, self-noise 31 dB(A), max SPL 155 dBRecommended for 5 instruments
Shure CVO-B/CCentraverse overhead (hanging) cardioid electret condenser for choirs and ensembles, on an attached 7.6 m cable with a wire aiming hanger; black (CVO-B/C), the same mic in white is the CVO-W/Csensitivity −33 dBV/Pa, self-noise 27 dB(A), max SPL 120 dBRecommended for Mixed choir (SATB)
Shure KSM109End-address cardioid condenser (permanently biased), transformerless, with a -15 dB pad; for instrumentssensitivity −41 dBV/Pa, self-noise 19 dB(A), max SPL 139 dBRecommended for 12 instruments- Shure KSM137Small-diaphragm condenser (electret), cardioid, with three-position pad and low-frequency filtersensitivity −37 dBV/Pa, self-noise 14 dB(A), max SPL 134 dBRecommended for 20 instruments
Shure KSM141Small-diaphragm end-address condenser with a mechanical cardioid/omni switch (rotating ring), pad and low-frequency filtersensitivity −37 dBV/Pa, self-noise 14 dB(A), max SPL 134 dBRecommended for 14 instruments
Shure KSM27Side-address cardioid condenser (externally biased 1-inch diaphragm), transformerless, with pad and low-frequency filtersensitivity −37 dBV/Pa, self-noise 14 dB(A), max SPL 137 dBRecommended for 10 instruments
Shure KSM313Passive ribbon (Roswellite), figure-8, side-address, "Dual-Voice": darker front, brighter rearsensitivity −54.5 dBV/Pa, max SPL 146 dBRecommended for Banjo
Shure KSM32Side-address cardioid condenser (permanently biased, embossed 3/4-inch diaphragm), transformerless, with pad and low-frequency filtersensitivity −36 dBV/Pa, self-noise 13 dB(A), max SPL 139 dBRecommended for 12 instruments
Shure KSM353Passive ribbon (Roswellite), figure-8, side-address; hand-assembled premium studio mic with wire-rope shock mountsensitivity −53.5 dBV/Pa, max SPL 146 dBRecommended for Drum kit
Shure KSM42Large dual-diaphragm side-address condenser vocal mic (front diaphragm active, rear passive), cardioid only, with a ShureLock shock mount and magnetic pop filtersensitivity −37 dBV/Pa, self-noise 8.5 dB(A), max SPL 139 dB
Shure KSM44Large dual-diaphragm condenser, multi-pattern (cardioid, omni, figure-8), transformerless, with pad and low-frequency filtersensitivity −31 dBV/Pa, self-noise 7 dB(A), max SPL 127 dBRecommended for 12 instruments
Shure KSM44ALarge dual-diaphragm condenser, multi-pattern (cardioid, omni, figure-8), transformerless, with pad and low-frequency filtersensitivity −31 dBV/Pa, self-noise 4 dB(A), max SPL 131 dBRecommended for 2 instruments
Shure KSM8 DualdyneDynamic (moving coil) cardioid handheld vocal mic with two diaphragms (one active, one passive) for reduced proximity effectsensitivity −51.5 dBV/Pa
Shure KSM9Handheld dual-diaphragm condenser vocal mic, switchable cardioid or supercardioid, transformerlesssensitivity −51 dBV/Pa, self-noise 22 dB(A), max SPL 152 dBRecommended for 3 instruments
Shure MV7Cardioid dynamic podcast mic with both an XLR output and a USB (Micro-B) digital output, touch panel and headphone jacksensitivity −55 dBV/Pa, max SPL 132 dB
Shure MX1852 variantsRecommended for Piano accordionShure MX183 · Shure MX185
Shure MX202Miniature electret condenser overhead mic on a 4-inch gooseneck, for choirs; interchangeable cartridges (cardioid, supercardioid, mini-shotgun; omni in the 2013 sheet), black or whitesensitivity −35 dBV/Pa, self-noise 28 dB(A), max SPL 124.2 dBRecommended for 3 instruments
Shure PG52Dynamic (moving coil) cardioid kick-drum mic with integral locking stand mount; Performance Gear seriessensitivity −55 dBV/PaRecommended for 2 instruments
Shure PG57Dynamic (moving coil) cardioid instrument mic with on/off switch; Performance Gear seriessensitivity −56 dBV/PaRecommended for 3 instruments
Shure PG81Small-diaphragm cardioid electret condenser (end-address) for acoustic instruments, flat response; battery or phantom powered; Performance Gear seriessensitivity −48 dBV/Pa, self-noise 20 dB(A), max SPL 131 dBRecommended for 7 instruments
Shure PGA181Side-address cardioid electret condenser (PG Alta series), cast-zinc housing, for vocals and instrumentssensitivity −38 dBV/Pa, max SPL 138 dB
Shure PGA27Large-diaphragm side-address cardioid electret condenser (PG Alta series) with a -15 dB pad and a low-cut switchsensitivity −35 dBV/Pa, max SPL 130 dBRecommended for 2 instruments
Shure PGA48Dynamic (moving coil) cardioid handheld vocal mic (PG Alta series) for speech and karaoke, with an on/off switchsensitivity −53.5 dBV/Pa
Shure PGA52Dynamic (moving coil) cardioid kick-drum mic (PG Alta series) with an integrated swivel stand mount and quick-release leversensitivity −55 dBV/Pa
Shure PGA58Dynamic (moving coil) cardioid handheld vocal mic (PG Alta series) with an on/off switchsensitivity −55 dBV/Pa
Shure PGA81Small-diaphragm cardioid electret condenser (end-address) for instruments, flat response; PG Alta seriessensitivity −48.5 dBV/Pa, max SPL 129.5 dBRecommended for Acoustic guitar
Shure PGA98HClip-on cardioid electret condenser on a gooseneck with horn clamp, for wind instruments; in-line XLR preamp or TA4F (TQG) for bodypacks; PG Alta seriessensitivity −52 dBV/Pa, self-noise 27 dB(A), max SPL 130 dBRecommended for 7 instruments
Shure SM137Small-diaphragm cardioid electret condenser (end-address probe) for instruments, with a 15 dB padsensitivity −41 dBV/Pa, self-noise 19 dB(A), max SPL 139 dBRecommended for 7 instruments
Shure SM27Large-diaphragm (1 inch) side-address cardioid condenser, externally biased, with a 15 dB pad and a three-position low-frequency filtersensitivity −37 dBV/Pa, self-noise 9.5 dB(A), max SPL 138 dBRecommended for Tam-tam- Shure SM4Dual-diaphragm side-address cardioid condenser for home recording, with RF interference shielding and an internal pop filtersensitivity −38 dBV/Pa, self-noise 13 dB(A), max SPL 140 dB
Shure SM48Dynamic (moving coil) cardioid handheld vocal mic; the SM48S adds a lockable on/off switchsensitivity −57.5 dBV/Pa- Shure SM57Cardioid dynamic for instruments (snare, guitar cabinets) and vocalssensitivity −56 dBV/PaRecommended for 38 instruments
- Shure SM58Cardioid dynamic vocal mic with a ball grille and built-in pop filtersensitivity −54.5 dBV/PaRecommended for 13 instruments
Shure SM63Dynamic (moving coil) omnidirectional handheld mic for interviews and broadcast, with humbucking coil; also in long versions (SM63L champagne, SM63LB black)sensitivity −56.5 dBV/Pa- Shure SM7B2 variantsRecommended for 12 instrumentsShure SM7B · Shure SM7dB
- Shure SM81Small-diaphragm cardioid condenser for acoustic instruments, piano and drum overheadssensitivity −45 dBV/Pa, self-noise 16 dB(A), max SPL 136 dBRecommended for 34 instruments
Shure SM84Miniature supercardioid electret condenser lavalier for broadcast and sound reinforcement, with a belt-pack amplifier (9 V battery or phantom power)sensitivity −53 dBV/Pa, self-noise 30 dB(A), max SPL 131 dBRecommended for Autoharp
Shure SM86Electret condenser, cardioid, handheld vocal mic for live stage use, with three-point shock mount and two-stage pop filtersensitivity −50 dBV/Pa, self-noise 23 dB(A), max SPL 147 dB
Shure SM89Condenser shotgun mic (pressure gradient/line combination) for film, TV and theatre, phantom powered, with a two-position low-cut switchsensitivity −33 dBV/Pa, self-noise 16 dB(A), max SPL 127 dB
Shure SM94Small-diaphragm cardioid electret condenser (end-address) for instruments, flat response, phantom or AA battery poweredsensitivity −49 dBV/Pa, self-noise 22 dB(A), max SPL 141 dBRecommended for 8 instruments- Shure SM98Miniature cardioid electret condenser instrument mic with a separate battery or phantom preamp (flat or low-cut)sensitivity −60 dBV/Pa, self-noise 34 dB(A), max SPL 155 dBRecommended for 2 instruments
Shure Super 55Dynamic (moving coil) supercardioid vocal mic in the chrome die-cast body of the classic 55, with a self-tensioning swivel mountsensitivity −53 dBV/Pa- Shure VP88Single-point stereo condenser in a Mid-Side (M-S) layout: a forward cardioid and a sideways figure-8, with a built-in switchable stereo matrix (three widths) or direct M-S outputssensitivity −66 dBV/Pa, self-noise 24 dB(A), max SPL 129 dBRecommended for Drum kit
Sontronics 5
- Sontronics APOLLO 2Active (phantom-powered) stereo ribbon: two figure-8 ribbons in a Blumlein X-Y pairsensitivity −32.4 dBV/Pa, max SPL 125 dBRecommended for String quartet
- Sontronics DELTA 2Active (phantom-powered) ribbon, figure-8, built for loud sources (guitar amps, brass)sensitivity −40 dBV/Pa, self-noise 10 dB(A), max SPL 140 dBRecommended for String quartet
- Sontronics SIGMA 2Active (phantom-powered) ribbon, figure-8, vintage-styledsensitivity −32.4 dBV/Pa, self-noise 10 dB(A), max SPL 125 dBRecommended for String quartet
- Sontronics SOLODynamic, supercardioid, handheld vocal micsensitivity −45.2 dBV/Pa, max SPL 140 dB
- Sontronics STC-2Large-diaphragm cardioid condenser with 10 dB pad and 75 Hz filter, sold as the STC-2 Pack with shock mount and pop shieldsensitivity −34 dBV/Pa, self-noise 18 dB(A), max SPL 125 dB
Sony 4
- Sony C-100Large-diaphragm two-way condenser (separate low and high frequency capsules, response to 50 kHz), omni, cardioid or figure-8, phantom poweredsensitivity −31 dBV/Pa, self-noise 19 dB(A), max SPL 132 dB
Sony C-37ALarge-diaphragm tube condenser (6AU6 cathode follower), omni or cardioid (screw switch on the head), with the CP-3B power supply; discontinuedsensitivity −53 dBV/PaRecommended for Snare drum
Sony C-38BLarge-diaphragm condenser (FET output stage), cardioid or omni, battery or phantom powered, with low-cut, high-cut and pad switchessensitivity −48 dBV/Pa, self-noise 24 dB(A), max SPL 140 dB
Sony C-800GLarge-diaphragm tube condenser (6AU6A), cardioid or omni, with built-in thermoelectric coolingsensitivity −32 dBV/Pa, self-noise 18 dB(A), max SPL 131 dBRecommended for 3 instruments
Superlux 2
Superlux PRA383Clip-on cardioid condenser (back electret) for brass, strings and percussion, on a short gooseneck with a 1.5 m cablesensitivity −42 dBV/Pa, self-noise 23 dB(A), max SPL 137 dB
Superlux R102Active ribbon (2.5 µm aluminium, phantom powered), figure-8, side-addresssensitivity −40 dBV/Pa, self-noise 18 dB(A), max SPL 138 dBRecommended for 2 instruments
Telefunken 9
Telefunken C12Large-diaphragm tube condenser (6072A, self-biased), CK12-type capsule, nine patterns switched on the power supply; a replica of the 1953 AKG C12sensitivity −40 dBV/Pa, self-noise 9 dB(A), max SPL 130 dBRecommended for Sarod
Telefunken ELA M 251ELarge-diaphragm tube condenser (6072A), CK12-type capsule, omni, cardioid and figure-8; a reissue of the 1959 Telefunken/AKG ELA M 251sensitivity −35.4 dBV/Pa, self-noise 9 dB(A), max SPL 130 dBRecommended for A cappella group
Telefunken ELA M 260Small-diaphragm tube condenser (5840W), transformer output, with interchangeable thread-on capsules: TK60 cardioid, TK61 omni, TK62 hypercardioidsensitivity −35.7 dBV/Pa, self-noise 11 dB(A), max SPL 135 dBRecommended for 2 instruments
Telefunken M60 FETSmall-diaphragm FET condenser (pencil), transformer output, with interchangeable thread-on capsules: TK60 cardioid, TK61 omni, TK62 hypercardioidsensitivity −40 dBV/Pa, self-noise 5 dB(A), max SPL 135 dBRecommended for 2 instruments
TELEFUNKEN M80Dynamic (moving coil), supercardioid, handheld vocal and instrument micsensitivity −56.2 dBV/Pa, max SPL 135 dBRecommended for Voice
TELEFUNKEN M81Dynamic (moving coil), supercardioid, handheld vocal and instrument micsensitivity −56.2 dBV/Pa, max SPL 135 dB
TELEFUNKEN M82Large-diaphragm dynamic (moving coil), cardioid, for kick drum and broadcast voice, with two EQ switches; end-addresssensitivity −54.7 dBV/Pa, max SPL 146 dBRecommended for 2 instruments
Telefunken TF11Large-diaphragm FET condenser, fixed cardioid, with a CK12-style edge-terminated capsule and output transformersensitivity −37.1 dBV/Pa, self-noise 4 dB(A), max SPL 135 dBRecommended for Voice
Telefunken TF51Large-diaphragm tube condenser (6072A), TK51 edge-terminated capsule, omni, cardioid and figure-8; Alchemy Seriessensitivity −34.4 dBV/Pa, self-noise 8 dB(A), max SPL 128 dBRecommended for Chamber choir
Warm Audio 9
Warm Audio WA-14Large-diaphragm FET condenser, brass CK12-style capsule, transformer output, cardioid, figure-8 and omni, -10/-20 dB padsensitivity −40.9 dBV/Pa, self-noise 16 dB(A), max SPL 138 dB
Warm Audio WA-19Dynamic (moving coil), cardioid, pencil-style studio mic with humbucking coil and variable acoustic high-pass ring, transformerlesssensitivity −53 dBV/Pa, max SPL 145 dB
Warm Audio WA-251Large-diaphragm tube condenser (12AY7), CK12-style capsule, transformer output, omni, cardioid and figure-8 switched on the power supplyself-noise 12 dB(A), max SPL 132 dBRecommended for Violin
Warm Audio WA-44Passive ribbon, figure-8; a recreation of the RCA 44 (44-BX), with a long 2.5 µm aluminium ribbon, neodymium magnet and CineMag transformermax SPL 140 dBRecommended for Voice
Warm Audio WA-47Large-diaphragm tube condenser (5751), 47-style capsule, transformer output, nine patterns switched on the power supplyself-noise 11 dB(A), max SPL 140 dBRecommended for Violin
Warm Audio WA-47jrLarge-diaphragm FET condenser, transformerless, 47-style (K47) capsule; omni, cardioid and figure-8, -10 dB pad and 70 Hz high-pass filtersensitivity −40 dBV/Pa, self-noise 9 dB(A), max SPL 147 dBRecommended for Pipa
Warm Audio WA-8000Large-diaphragm tube condenser (6AU6), K67-style capsule, transformer output, cardioid and omni switched on the mic, external power supplysensitivity −33 dBV/Pa, self-noise 15 dB(A), max SPL 131 dB
Warm Audio WA-84Small-diaphragm FET condenser, cardioid, KK84-style screw-on capsule, transformer output, -10 dB padsensitivity −39 dBV/Pa, self-noise 16 dB(A), max SPL 123 dB
Warm Audio WA-87 R2Large-diaphragm FET condenser, K87-style capsule, transformer output, omni, cardioid and figure-8, -10 dB pad and 80 Hz high-passmax SPL 125 dB
More brands 13
- Cascade Fat Head IIPassive figure-8 ribbon mic (2.5 micron aluminium ribbon), side-address, with a stock or Lundahl LL2912 output transformersensitivity −56.3 dBV/Pa, max SPL 165 dBRecommended for 2 instruments
Coles 4038Ribbon, figure-8 (BBC design), passivesensitivity −65 dBV/Pa, max SPL 125 dBRecommended for 6 instruments
Countryman E6Electret condenser earset mic on a thin boom; this record is the omnidirectional E6 with the standard W5 sensitivity (directional and lower-gain W6/W7 versions also exist)sensitivity −43.1 dBV/Pa, self-noise 24 dB(A), max SPL 120 dBRecommended for Shakuhachi- Crown GLM-100Miniature electret condenser, omnidirectional ("Great Little Mic"), with permanently attached cable and XLR connectorsensitivity −50 dBV/Pa, self-noise 28 dB(A), max SPL 150 dBRecommended for Violin
- FLEA47Large-diaphragm tube condenser (EF12), cardioid and omni, BV8-type output transformer; a replica of the Neumann U 47sensitivity −32 dBV/PaRecommended for A cappella group
Galaxy Audio CBM-5Carbon-boom installation mic: a cardioid 1/2-inch condenser capsule (ME5-C) on a 57-inch carbon-fibre boom with a short gooseneck, on a 24- or 62-inch floor stand, single or dualsensitivity −36 dBV/Pa, self-noise 16 dB(A), max SPL 140 dBRecommended for Mixed choir (SATB)
Lawson L47MP Mk IILarge-diaphragm tube condenser, continuously variable pattern (omni to figure-8) set on the power supply, with a cardioid-only switch; a reproduction of the M7 capsule of the Neumann U 47sensitivity −38.9 dBV/Pa, self-noise 22 dB(A), max SPL 128 dBRecommended for 3 instruments- Line Audio CM4Small cardioid (slightly wide) condenser with a permanently biased capsule, XLR-plug sizedsensitivity −42 dBV/Pa, self-noise 16 dB(A), max SPL 135 dBRecommended for Bansuri
- Oktava MK-012Small-diaphragm condenser with interchangeable capsules (cardioid, hypercardioid, omni)sensitivity −40 dBV/Pa, self-noise 18 dB(A), max SPL 140 dBRecommended for 17 instruments
- Pearl TL 44Dual-diaphragm condenser with Pearl's rectangular capsule: two back-to-back cardioid outputs on one XLR-5, so the pattern (omni, cardioid, figure-8, 180° stereo) is set at the mixersensitivity −35.9 dBV/Pa, self-noise 14 dB(A), max SPL 126 dBRecommended for 2 instruments
Samson C02Small-diaphragm (12 mm) pencil condenser, supercardioid, sold as a pairsensitivity −40 dBV/Pa, self-noise 22 dB(A), max SPL 134 dBRecommended for 2 instruments
Studio Projects C4Small-diaphragm (20 mm) condenser pencil mic with screw-on omni, cardioid and hypercardioid capsules; sold as a matched pairsensitivity −39 dBV/Pa, self-noise 18 dB(A), max SPL 158 dBRecommended for Hurdy-gurdy
t.bone Ovid System CC 100Clip-on cardioid condenser on a gooseneck, for acoustic instrumentssensitivity −41.3 dBV/Pa, self-noise 20.3 dB(A), max SPL 110 dB
No mic matches. Try fewer filters.