Voice
Countertenor
A classical male voice in the contralto or mezzo-soprano range. Most countertenors sing the upper half of the range in falsetto; some use a "head voice" described differently by different authorities.1
Part of the Voice family; that family's advice shows here too.
- Range
- E3–E5
- Sources
- 10 (9 independent)
Mics sources recommend
24 setups from 10 sources, 9 of them independent of any mic maker. Each mic shows how many sources name it for that role, and how many of those are independent. Listed alphabetically: there is no ranking.
Studio
Distant
- Neumann U 871 independent source
- Schoeps Colette with MK 2 capsule1 independent source
- Shure SM811 independent source
Close
- AEA KU41 independent source
- AEA RC441 independent source
- AKG C121 independent source
- AKG C414 XLII3 independent sources
- Aston Stealth1 independent source
- Audio-Technica AT20201 independent source
- Audio-Technica AT40401 independent source
- Austrian Audio OC181 independent source
- Electro-Voice RE201 independent source
- Lewitt LCT 440 Pure1 independent source
- Neumann M 49 V1 independent source
- Neumann TLM 1031 independent source
- Neumann U 471 independent source
- Neumann U 873 independent sources
- Neumann U 87 Ai1 independent source
- Rode NT1 Signature1 independent source
- Royer R-122 MKII maker's advice1 source, 0 independent
- Shure SM571 independent source
- Shure SM7B2 independent sources
- Shure SM7dB1 independent source
- Sony C-800G1 independent source
- Telefunken TF111 independent source
- Warm Audio WA-441 independent source
- condenser, large-diaphragm, omni (pressure receiver)1 independent source
- large-diaphragm condenser, cardioid (default); dynamic or small-diaphragm or omni also work1 independent source
The 20 setups behind this: placement and quotes
- Distant Voice advice Schoeps Colette with MK 2 capsulesolo voice, classical, short distance, linear and no proximity effect
"The choice often falls on the Schoeps Colette system with the free-field-equalised MK2 capsule" for classical solo voice (translated; generic classical singing).
2 - Close Voice advice condenser, large-diaphragm, omni (pressure receiver)solo voice, classical, studio
DPA makes "a large-diaphragm condenser with pressure receiver", an alternative for classical voice (translated; model not named in the text).
2 - Close Voice advice Neumann U 87 or Neumann U 47 or AKG C12 or Sony C-800Gclose, studio vocal (pop)
Pop vocals: transistor large-diaphragm condensers like the U 87; tube mics like U 47 or C12; C800G for soul and R&B (translated).
2 - Close Voice advice AEA KU4 or AEA RC44close, studio vocal (jazz)
For intimate jazz vocals, ribbons such as AEA KU4 or RC44 are "more than great" (translated).
2 - Close Voice advice Electro-Voice RE20close, studio vocal (rock)
"Many swear by dynamics such as the EV RE20" for rock vocals (translated).
2 - Distant Voice advice Neumann U 87solo with piano or orchestra, 1-1.5 m, 30 cm above head height
Studio engineers placed the mic 1-1.5 m away, about 1 ft above head height; "They always used U-87" (one studio).
3 - Distant Voice advice Shure SM81solo classical voice, budget, about 1 m
Forum reply: "as a bare minimum" the SM81; "probably to do it right you'd be looking at Schoeps or DPA".
4 - Close Voice advice Shure SM7dB or AKG C414 XLIIclose, studio vocal
Chosen as best all-round vocal mic; successor to the SM7B (paraphrase). ... Listed as best studio vocal mic; "a studio staple" (paraphrase).
5 - Close Voice advice Rode NT1 Signatureclose, studio vocal, beginner
"Ultra-flat response ... perfect for beginners" (MusicRadar, best for beginners).
5 - Close Voice advice Audio-Technica AT2020close, studio vocal, budget
Top choice for recording vocals on a budget, around $100/GBP100 (paraphrase).
5 - Close Voice advice Shure SM7Bclose, studio vocal, untreated room
Picked as best dynamic for untreated rooms (paraphrase of heading).
6 - Close Voice advice Aston Stealth or Neumann U 87 Ai or AKG C414 XLII or Warm Audio WA-44close, studio vocal
Picked as best do-it-all dynamic microphone (paraphrase of heading). ... Picked as best classic studio condenser (paraphrase of heading). ... Picked as most flexible multi-pattern condenser (paraphrase of heading). ... Picked as best ribbon mic for vocals (paraphrase of heading).
6 - Close Voice advice Lewitt LCT 440 Pureclose, studio vocal, budget
Picked as best budget condenser (paraphrase of heading).
6 - Close Voice advice Austrian Audio OC18close, studio vocal, mid-price
Picked as best mid-price large-diaphragm condenser (paraphrase of heading).
6 - Close Voice advice Royer R-122 MKIIclose, studio vocal
"A good match for vocals due to its higher output level and slightly brighter response."
7 - Close Voice advice Neumann U 87close, studio vocal
"Wonderful microphone for vocals because it lacks sibilance and gives a warm, dark sound" (go-to for soprano and tenor).
8 - Close Voice advice large-diaphragm condenser, cardioid (default); dynamic or small-diaphragm or omni also workclose, studio vocal
"Most pop vocal work is done using some kind of large-diaphragm, cardioid-pattern capacitor microphone, but there are exceptions."
9 - Close Voice advice Shure SM57close, budget vocal
Found in nearly every professional studio; works from lead vocals to kick drums (paraphrase).
10 - Close Voice advice Shure SM7B or Audio-Technica AT4040 or AKG C414 XLII or Neumann TLM 103 or Neumann U 87 or Telefunken TF11close, studio vocal
Listed among mid-priced vocal mics (paraphrase). ... Widely considered a de facto part of a professional engineer's mic locker (paraphrase of AKG claim). ... "Perfect for helping vocals stand out in the mix". ... "May be the single most beloved high-end microphone"; won over countless singers. ... "Crystal-clear vocal sound" with fast transient response (paraphrase).
10 - Close Voice advice Neumann M 49 Vclose, studio vocal, high end
Listed as a top-end vocal mic with a rich history (paraphrase).
10
On stage
Handheld
- Aston Apex1 independent source
- Audio-Technica AE54001 independent source
- Austrian Audio OD5051 independent source
- DPA d:facto 40181 independent source
- Earthworks SR3141 independent source
- sE Electronics V71 independent source
- Sennheiser e 9651 independent source
- Shure Nexadyne 8/C1 independent source
- Shure SM582 independent sources
- Telefunken M801 independent source
The 2 setups behind this: placement and quotes
- Handheld Voice advice Telefunken M80 or sE Electronics V7 or Shure SM58 or DPA d:facto 4018 or Audio-Technica AE5400 or Aston Apex or Sennheiser e 965 or Earthworks SR314 or Shure Nexadyne 8/C or Austrian Audio OD505handheld, live vocal
Picked as best overall live vocal mic: "studio-grade clarity to the stage" (paraphrase). ... Picked as best budget live vocal mic; "build quality and performance" above its price. ... Picked for durability: "super dependable and delivers a consistent, authentic, vocal tone". ... Picked as the live vocal mic with the more detailed frequency range; noise rejection "top-drawer". ... Picked as best condenser for live vocals: "detailed, clear sound for a competitive price". ... Listed in the top ten live vocal mics (picked for style). ... Picked as best switchable-pattern live vocal mic (paraphrase of heading). ... Picked as the live vocal mic with the best frequency response (paraphrase of heading). ... Listed as a top-ten live vocal mic (best upgrade). ... Picked as best active dynamic: "a high-end dual capsule gamechanger at a great price".
11 - Handheld Voice advice Shure SM58handheld, live vocal
"The go-to for anyone needing a rugged vocal microphone" on the live circuit (paraphrase).
5
Studio and stage
Close
- Shure SM581 independent source
Handheld
- Shure SM581 independent source
The 2 setups behind this: placement and quotes
- Close Voice advice Shure SM58close, studio or live vocal
"Some singers like to work with dynamic mics such as Shure SM58s, because the tonality suits their voice."
9 - Handheld Voice advice Shure SM58handheld, live vocal, budget
SM57 and SM58 are mentioned in budget guides without fail; durable, versatile (paraphrase).
10
Range
E3 to about E51165 Hz – 659 Hz
generally E3 to D5 or E5; a sopranist may reach C6
Where the sound comes from
The sound
Same source-filter set-up as other voices. The only directivity measurement I found used a professional countertenor in an anechoic room (24 mics on a semicircle): near omnidirectional up to about 600-1000 Hz, more cardioid-like in the 1.25-4 kHz bands, with little difference between /a/, /i/ and /o/, between piano and fortissimo, or between normal and "projected" singing (projection mainly adds energy above 5 kHz). The authors conclude that radiation depends mainly on head radius and mouth opening. One singer only.12
Recording it
No countertenor-specific recording source found. A professional countertenor on a forum says he was "spoiled" by Neumann and Schoeps on label recordings (search summary only, thread not opened, so not recorded as a recommendation). Use the classical solo advice (mezzo-soprano entry): 1 m or more, large-diaphragm condenser or a ribbon, U 87 at 1-1.5 m.
About the range
Generally E3 to D5 or E5 (Steane, New Grove Dictionary of Opera, via Wikipedia). A sopranist may reach the soprano range of C4-C6. The lowest notes are usually not used. Compare the male voice A2-A4 in the existing entry.1
Names
Contratenor altus; male alto. Sub-types: sopranist (male soprano), haute-contre, and the historical castrato.1
Sources
- Wikipedia, Countertenor, and Voice type
- Bonedo (Germany): Welches Mikrofon ist am besten fuer welche Stimme geeignet?
- DV Info Net forum: Recording an opera singer (thread archive)
- HomeRecording.com forum: Recording an opera singer (2015)
- MusicRadar: Best vocal mics 2026
- MusicTech: Best microphones for vocals
- Royer Labs FAQ: Which Royer mic would you recommend for recording vocals?
- Sonicbids blog: The Best Microphones for Every Voice Type
- Sound On Sound: Vocal Recording & Production Masterclass
- Splice blog: The 13 best vocal microphones
- MusicRadar: Best live vocal microphones 2026
- Katz and d'Alessandro: voice directivity measurements (ICA 2007)